randian | 燃点

Presented here are Varbanov’s plasticine models, which were produced in Europe in the 1970’s and acted as sketches for larger fabric works. Some of these larger fabric works were realized while others remained merely models. >> Read more

More than just a form of artistic expression, ink art and especially ink painting, is a cultural signifier. >> Read more

An inimitable force unto himself, Frog King is a pioneering conceptual and performance artist who has been breaking boundaries in Hong Kong and beyond since the late 1960s. >> Read more

Next year, Art Basel Hong Kong will happen in mid-March—a sartorial and navigational godsend for all involved. There were rumors that one Angelina Jolie flew in on Sunday—but these turned out to be just rumors. Buoyed by recent acquisitions, perhaps she was blown off course. >> Read more

A conversation between Li Zhenhua and David Elliott, curators of "PANDAMONIUM: Media art from Shanghai" >> Read more

A historical exhibition in two parts, co-commissioned by Ullens Center for Contemporary Art (Beijing) and Witte de With Center for Contemporary Art (Rotterdam), comprising documentary materials and artworks that examine the life and work of a defining figure in contemporary Chinese art. >> Read more

To coincide with the opening this week in Shanghai of the 15th anniversary exhibition of the "Chinese Contemporary Art Awards" (CCAA) at the Power Station of Art, Randian's Chris Moore spoke at length with Uli Sigg about the history and philosophy behind CCAA, still the most respected art award in China... >> Read more

Dear Mr & Mrs Singapore: Your children, Art Stage and Biennale, have successfully completed the year and may enter the next class. Here is our report card. They are performing stronger but still have some work to do.
 
>> Read more

With the slogan “We Are Asia,” Art Stage Singapore returns next week for its fourth annual edition. Randian previews this year's fair, with comments from founding Director Lorenzo Rudolf. >> Read more

The vicissitudes of the era had no doubt taken their toll, but Sullivan, with an ever keen eye for art, found much to uphold his interest. No matter how messy the scene was, politically, ideologically, socially, artistically, his commitment was constant. Those of us who aspire to recording contemporary art owe a great debt to this fine, magnanimous historian. >> Read more