randian | 燃点

Taryn Simon is a New York-based artist known primarily for her meticulous work combining photography and text, though her practice has included sculpture and performance.
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HONG KONG | JANUARY 28 | 2016 >> Read more

Lorenzo Rudolf talked to Randian about the need for a stronger non-commercial scene (including museums) in Southeast Asia, better bridges and connections throughout the region, and how he will continue to keep his eyes on China. >> Read more

For most, Vietnam is an idea formed, since the beginning of the twentieth century, by a foreigner’s idea of the foreign, rather more than by its residents. >> Read more

We begin this series of articles on South East Asia visiting Richard Koh, whose eponymous gallery in Kuala Lumpur is Malaysia's most influential, representing artists throughout the region, including Haffendi Anuar, Justin Lim Natee Utarit, and Pattana Chuenmana. >> Read more

ASIANOW is an exceptional fair that allows its audience to freshly reconsider contemporary Asian art. >> Read more

Randian talked to Lorenzo Rudolf about his SHContemporary days and his observations of the Shanghai art scene. He also discussed the challenges (and potential) of operating in Singapore, and the reasons behind some of the curated exhibitions ArtStage has pushed in the fair. >> Read more

Swimming in Sand; Growing Rice Under an Umbrella presents a new generation of leading contemporary artists from Southeast Asia, highlighting works that have never before been shown in Australia. >> Read more

A center of art and culture, Yogyakarta (located in Central Java) attracts students from all parts of the country to study at the art schools—and often marry and stay to pursue their lives as professional artists. One major attraction here is ArtJog, an annual art event increasingly making a mark. >> Read more

With the quality of the Yuz collection on display no doubt greatly aided by having Wu Hung, the renowned scholar of Chinese art, as a curator, we can say that “Myth/History” was not half bad—pretty good, in fact... >> Read more