randian | 燃点

In an age in which he feels artists have become exceedingly demo­cratic, Luc Tuymans adheres closely to the method he has honed over time—mercifully without, he says, a moment of “painter’s block.” >> Read more

Galerie Perrotin, Hong Kong is pleased to present “Sister Feelings”, the second exhibition dedicated to Swedish artist Jens Fänge >> Read more

For a world that we cannot perceive, what does it matter whether it exists or not? Perhaps you can further demonstrate that, though an autonomous world is imperceptible, it can still think for us. Yet in this sense, such a world becomes one stipulated by human thought, and ultimately cannot escape the fundamental relationship between thinking and being. >> Read more

Text written by Koichi Kawasaki – art historian and Gutai scholar – on the occasion of the monograph RYUJI TANAKA published by Axel Vervoordt Gallery in collaboration with AsaMer, 2016. Using traditional mineral pigments, a traditional type of Japanese paint, Ryuji Tanaka’s works convey a keen awareness of nature. Tanaka’s life was marked by a […] >> Read more

No matter how transient or imagined these ‘houses’ may be, they are, without doubt, residues of his ‘shelters’ in an on-going itinerary. >> Read more

In a state of shock, many asked, “Can he really do this?!” >> Read more

A Painter of the Empire" is never a historical referent. On the contrary, the term pertains directly to every contemporary artist; it coexists with history. >> Read more

Hanart TZ Gallery and Fabio Rossi are pleased to present ‘The Garden of Winter Light (a space to linger)’, a special group exhibition curated by Valerie C. Doran. The exhibition, which opens on 10 December 2015 at Hanart TZ Gallery. >> Read more

15.10.2015 – 28.11.2015 Opening and book launch October 15th, 6-9pm Finding the source: Dominique Stroobant and the joy of beginnings   In the beginning there was kneading. The Word didn’t come until later. (1)   - Dominique Stroobant, Carrara, 2011   How can the work of an artist be transformed into words? How can decades […] >> Read more

Steyerl's work is so cogent because, as a provocateur, she is able to coherently foreground the mechanisms of art that have long been buried and ignored. As Steyerl herself says: Too Much World. >> Read more