randian | 燃点

“I cannot possibly understand those artists who place themselves in front of the canvas as if it was a surface to be filed up with colors and shapes, following a taste that is more or less appreciable.“ >> Read more

One of the most influential artists of his generation, Baselitz was dismissed from art school after only two semesters for "gesellschaftspolitisch unreif" ("socio-political immaturity")... >> Read more

Ran Dian Art Basel Hong Kong preview of galleries from Europe—Athens, Berlin, Brussels, London, Milan, Paris, San Gimignano, Salzburg, Torino, Vienna, Zurich >> Read more

Massimo De Carlo gallery opens its first Asian space in Hong Kong’s Pedder Building this Art Week showing a commitment to the region. >> Read more

Massimo De Carlo gallery opens its first Asian space in Hong Kong’s Pedder Building this Art Week showing a commitment to the region. This is the third venue, after Milan in 1987 and London in 2009, celebrating almost 30 years of being a crucial player in the international art scene. Massimo De Carlo gallery focuses […] >> Read more

Massimo De Carlo gallery opens its first Asian space in Hong Kong’s Pedder Building this Art Week showing a commitment to the region. >> Read more

Shanghai—Pearl Lam Galleries is pleased to present Materialised Sentiments, a group exhibition that features a diverse range of artists >> Read more

Miami starts with parties and champagne and ends with blood and rain. As the deluge descended and the drains spewed, we huddled around an ATM with a homeless guy, or maybe he was a performance artist or kooky billionaire—no he was just homeless. >> Read more

Artists Exhibited Diane Arbus Richard Artschwager Richard Avedon Francis Bacon Balthus Davide Balula Georg Baselitz Jean-Michel Basquiat Joseph Beuys Dike Blair Glenn Brown Chris Burden Alexander Calder Anthony Caro Maurizio Cattelan John Chamberlain Dan Colen Michael Craig-Martin Gregory Crewdson John Currin Willem de Kooning Walter De Maria Edmund de Waal Alberto Di Fabio Marcel Duchamp […] >> Read more

Raimund Girke’s medium was white: as erasure, as layer, as edge, as foreground, background, gesture, fog, lens and matter...whiteness is not simply a counterpoint of contrast and scale, but the elemental background...
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