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2014.09.25 Thu, by

OPENING: Paulina Olowska: Ceramics | Simon Lee Gallery Hong Kong | Wednesday 17 September 6-8 PM

Simon Lee Gallery Hong Kong is pleased to announce the first solo exhibition with leading Polish artist Paulina Olowska. >> Read more
2018.02.02 Fri, by

DHAKA ART SUMMIT 2018 ANNOUNCEMENT

[Press Release] DHAKA ART SUMMIT 2018 2 – 10 FEBRUARY 2018 Artist list and further programme details released 15 November 2017 Produced and primarily funded by the Samdani Art Foundation, the 4th edition of the Dhaka Art Summit will take place from 2-10 February in a public-private partnership with the Bangladesh Shilpakala Academy, the country’s […] >> Read more
Interviews, 2020.12.16 Wed, by

Ashley Bickerton
Seascapes At The End Of History

Born in Barbados in 1959, Ashley Bickerton had a peripatetic childhood across four continents, from Guyana to Ghana, on to the Balearic Islands and England, then finally Hawaii. His upbringing followed the career of his Anglo-American father, the eminent linguist Derek Bickerton, who researched creole languages and theorised on the formation of human language. >> Read more
Interviews, 2020.11.16 Mon, by

Zara June Williams – Fuse
COMA, Sydney

Intrigued by the feeling of bewilderment that ensues contradiction, Zara June Williams’ explores the cyclical and cumulative nature of painting through an impulsive and often destructive approach to making. Compelled by incongruous encounters, the artist not only seeks to untangle problems but to create them. Her recent work combines painterly abstraction with collage, bringing together disparate parts in order to mimic and hence reflect on the fractured and disorderly nature of the self. >> Read more
Interviews, 2020.11.03 Tue, by

Werner Büttner and the Invention of BAD Painting

Werner Büttner, Wild Painter in Germany who changed the 1980s. >> Read more
Artist profiles, 2020.09.23 Wed, by

The Maschkera
A story inspired by Han Feng’s new work

Jumping and whooping, men swept by in costumes covered in fabric petals, their bodies thawed into fluttering colors. It took Andy a moment to realize that their swollen, red features and black, hollowed eyes belonged to wooden masks. >> Read more
Interviews, 2020.06.28 Sun, by

Professor Guo Yaxi: Reticence in Transformation

Tianjin, just half an hour by train from Beijing, is said to be the most inconspicuous of China’s municipalities. This is perhaps surprising, given the fact that it is the first city in Northern China to be exposed to modern culture, experiencing a glamorous era in the period following 1860 when it became a treaty port. Tianjin is the epitome of modernity with “Chinese characteristics”. >> Read more
Artist profiles, 2020.06.17 Wed, by

Liu Xi’s Paradox

Echoes of the transgressive works of the early 2000s resound in the ceramics practice of Liu Xi (b.1986, Zibo, Shandong). Liu’s frank exploration of gender and sexuality is courageous. >> Read more
访谈, 2020.06.16 Tue, by

Simon Mordant
Contemporary Collector, Modern Philanthropist

Simon Mordant is one of Australia’s most prolific art collectors and philanthropists. As chair of Australia’s Museum of Contemporary Art and as Australia’s past Venice Biennale Pavilion Commissioner, Mordant has been one of the major forces driving modernization of Australia’s visual arts scene. >> Read more
访谈, 2020.04.23 Thu, by

Zhang Peili “The Annual Report of OCD”
Rén Space, Shanghai

This exhibition puts the artist on display, literally. From the inside out. You may never again have an opportunity to see so much of one individual laid bare before your eyes all at one time. >> Read more

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