randian | 燃点

A prize is always as much about the giver as the receiver. This year’s inaugural Sigg Prize, successor to the esteemed Chinese Contemporary Art Award (CCAA), was as much about M+ as it was about the winner, Hong Kong’s own Samson Yung. >> Read more

The breadth of Malaysia’s small but energetic art scene took center stage last November for the fourth edition of Gallery Weekend Kuala Lumpur. >> Read more

A+ Works of Art (d6-G-8 d6 Trade Centre, Jalan Sentul, Kuala Lumpur, Malaysia 51000) 10 October – 2 November 2019 nrm. curatorial project A+ WORKS OF ART is pleased to present AL/linum, a solo exhibition by emerging artist Luke Heng. Making his debut in Malaysia, the exhibition brings together the union of two series of works that deal with […] >> Read more

by Chris Moore The China art market faces its most difficult period since 2008. With the developing US-China trade war, increasing skepticism towards corporate China’s debt (particularly banks), growing uncertainty from political unrest in Hong Kong, and a weakening global economy, not least in Germany, the economic “motor of Europe”, and the continuing UK Brexit […] >> Read more

In the process, you go somewhere and somelsewhere elastically, even a tiny bit. While inhabiting a ritual, one lives in and through time, via an odd interval sliced open and stitched back together. >> Read more

Samdani Art Foundation announces Seismic Movements: Dhaka Art Summit 2020, the fifth edition of the bi-annual research and exhibition platform focused on art and architecture connected to South Asia, to be held from 7 - 15 February 2020 in the Bangladesh Shilpakala Academy. >> Read more

Tang Contemporary Art Bangkok proudly presents Pure Land, a solo show featuring newly commissioned works by acclaimed Vietnamese-American artist Dinh Q. Lê. >> Read more

This year’s edition of Para Site’s International conference is interested in the renewed discussion throughout the world, often marked by symbolic actions if not yet by government policy, affecting what gets counted within the category of heritage, and who gets to do the counting: from the increasing debate around repatriation of looted artefacts by colonial powers to the varied and dissimilar processes of renaming and removing symbols of past eras, from India and Myanmar to Confederate America and Apartheid South Africa. >> Read more

The Rockbund Art Museum Shanghai will present the first large-scale solo exhibition in China by the Belgian artist Francis Alÿs, “La dépense,” from November 9, 2018 to February 24, 2019, curated by Yuko Hasegawa. >> Read more

Toulu Hassani’s second solo exhibition at Galerie Rüdiger Schöttle merges her two key methodologies: delicate oil paintings and visual objects made of artificial resin. Her distinct interest in the way humans try to interpret and represent the world through theories and models is intrinsic to, and clearly visible in, her works. >> Read more