randian | 燃点

Sullivan+Strumpf is delighted to present an exhibition by Singapore-based Dawn Ng at its Sydney Gallery. >> Read more

“It often strikes me” says Ng “that when someone says they miss something >> Read more

On very rare occasions an artist has the pleasure of showing artworks in the perfect place for them. Early this year Yuan Yuan (b.1973) was invited to spend time at Palazzo Terzi, which has been in the same family for over 500 years. >> Read more

(中文) 作为一名多媒体艺术家，施勇（1963年生于上海）的创作涉及行为艺术、装置、影像和雕刻，其不拘一格，风格迥异的作品背后往往体现了其对文化、经济，以及艺术界的深刻剖析。 >> Read more

Cliches are always already on the canvas, >> Read more

David Zwirner is pleased to present an exhibition of new paintings and works on paper by British artist Rose Wylie spanning three floors of the gallery’s London location. >> Read more

This exhibition is a dialogue between artists from Korea and from Berlin working with painting, video art, installation, and performance. >> Read more

Perrotin, Hong Kong is pleased to present the premiere solo exhibition dedicated to artist gimhongsok in Hong Kong. Showcasing eleven artworks, >> Read more

A long time ago, in a galaxy far, far away, a possible future ended. Only some archaeological documents remain. Liu Cixin’s utopian short story “Zhongguo 2185”, written in the 1980s and published as samizdat in 1989, speaks of this spectral future. “Zhongguo 2185” envisions a future in which a democratic China, led by a female president, is forced to shut down the power network to stop a cybernetic insurgency helmed by one of six virtually resurrected brains—Chairman Mao’s. >> Read more

Art has no equivalent of the Skyscraper Index, the notion that record-breaking towers tend to be built, hubristically, just prior to an economic crisis. The top end of the art world seems to ignore crises altogether (at least the part that doesn’t invest in tall buildings). Inflationary tendencies are observable in the art world, though, in uppity auction prices, the spread of private museums and art storage facilities and, seemingly, in art itself, no doubt partly to fill all the cavernous museums being built. >> Read more