randian | 燃点

OCAT Shanghai is pleased to announce Crossovers - A filmic exploration of history, stories and human remains, organized in collaboration with Arthub. >> Read more

A new solo exhibition by the Chinese portrait artist—his first in the United States—opens this evening at Pace New York. Here, Randian previews the works in the show. Mao Yan Pace Gallery (534 West 25th Street, New York, NY, USA), March 5—April 4, 2015 >> Read more

As regards China, London was less interested in the Middle Kingdom than in 2013 but the ubiquitous presence of Chinese artists and collectors in London, and galleries and museums attentive to them, indicates a trend that has been growing for the last five years. >> Read more

The second edition of the Art021 art fair this year still remained at the Rockbund area, part of the Bund in Shanghai. This erstwhile confluence of money and culture of the British elite in the early 20th century has, 80 years later today, taken on a new look. The Art Deco structures are now stuffed with contemporary art. >> Read more

The Westbund Art and Design Fair will open on September 25 on the Xuhui Waterfront in Shanghai; it is co-organized by the Shanghai West Bund Development Group Co. together with Zhou Tiehai, a renowned Chinese artist (and previously the artistic director of the Minsheng Museum in Shanghai). >> Read more

The internationally renowned Berlin artist Carsten Nicolai will present a new work during Art Basel's Hong Kong show. >> Read more

Tang Contemporary Art is pleased to announce a collaborative exhibition by Colin Chinnery, He An, and Zhang Hui entitled Once, from 14 December, 2013 through 5 March, 2014. >> Read more

In the press release for this recent exhibition, Qiu Xiaofei is quoted as saying “If painting is an object coated in color, then all colored objects can be called paintings”; it is something Rauschenberg, or his Combines, might have remarked. >> Read more

Exhibition highlights in 798 this week
 
 
 
>> Read more

“The attention should never be on the paintings themselves, which I deliberately repeat in different series to deconstruct their visual power, but the concept behind the forms. I am interested in the way we look at exhibitions and how our pre-existing knowledge, whether cultural, religious or political, affects our perception of art. >> Read more