A Series of Artist Residencies, Open Studios, Micro-Exhibitions, Kunst Salons, Parties, Provocations, and a Group Exhibition Curated by Li Zhenhua and David Elliott >> Read more
PANDAMONIUM, the title of this exhibition, suggests two conflicting ideas: the soft, cuddly, diplomatic, almost clichéd, image of the Panda, one of the great symbols of China to the outside world, and the wild, fertile, noisy disorder of Pandemonium, the place of all demons in Milton’s ‘Paradise Lost’. >> Read more
A Series of Artist Residencies, Open Studios, Micro-Exhibitions, Kunst Salons, Parties, Provocations, and a Group Exhibition Curated by Li Zhenhua and David Elliott >> Read more
Cinema Total’s special focus in 2014 is the intersection of film and video art. This panel explores the increasingly osmotic borders between film and video art, which find more filmmakers creating gallery-based work and artists making works inspired by cinema and its methods. >> Read more
Echoing the first words of A Tale of Two Cities (1859), Charles Dickens’ famous novel set at the time of the French Revolution, this exhibition jumps forward to the present to consider how contemporary art and aesthetics use the past to express the future. >> Read more
Echoing the first words of A Tale of Two Cities (1859), Charles Dickens’ famous novel set at the time of the French Revolution, this exhibition jumps forward to the present to consider how contemporary art and aesthetics use the past to express the future. >> Read more
Zhou Tao "I was interested in the way people arrange and organize their living environment. Parisians and Europeans share different notions of gardens and landscapes with [sic] the ones we have in China. Once you enter in a Chinese garden you tend to disappear." >> Read more
Manifesta in St. Petersburg; Wang Chunchen in Venice; Iberia Center renamed Hive Center; Launch of ArtShare; MAP Office wins Sovereign Art Prize >> Read more