A Series of Artist Residencies, Open Studios, Micro-Exhibitions, Kunst Salons, Parties, Provocations, and a Group Exhibition Curated by Li Zhenhua and David Elliott >> Read more
PANDAMONIUM, the title of this exhibition, suggests two conflicting ideas: the soft, cuddly, diplomatic, almost clichéd, image of the Panda, one of the great symbols of China to the outside world, and the wild, fertile, noisy disorder of Pandemonium, the place of all demons in Milton’s ‘Paradise Lost’. >> Read more
A Series of Artist Residencies, Open Studios, Micro-Exhibitions, Kunst Salons, Parties, Provocations, and a Group Exhibition Curated by Li Zhenhua and David Elliott >> Read more
WeChat / Weixin is a mobile app in China that has taken off like wildfire since it was first released in 2011. Now, it is being used to hold independent art auctions. >> Read more
This show is about the realities we cannot or do not want to change; it’s about the kind of “dependency” people develop for a terrible and unjust reality. Even more: a structural deficiency and disorder. >> Read more
‘Shanghai Surprise’ is a project curated by Shanghai-based Leo Xu and Azure Wu who have experienced the city’s metamorphosis from 2000 to present. >> Read more
Shenzhen OCT Contemporary Art Terminal (OCAT) is proud to present two exhibitions that were opened simultaneously on January 26 and are running until March 26, 2013. >> Read more
“Nostalgia,” a contemporary East Asian art exhibition, opened recently at the Shanghai Museum of Contemporary Art. Presenting works by 14 Chinese, Japanese, and Korean artists, the exhibition puts forward the wish for a certain nostalgia towards the traditional arts... >> Read more