randian | 燃点

Galerie Urs Meile Beijing is delighted to announce the opening of artist Yan Xing’s latest exhibition, Thief. This exhibition will feature a series of new works in a variety of different media, including installation, video, photography, space, and design. The works explore negativity, resistance, and order in many layers throughout the process of artistic language. >> Read more

"Itching All Over" perhaps is the most fitting phrase Tang Dixin has found to describe his creative being or state of being (surviving). Itch is either a desire inside one’s body that is eager to be released but probably will never be satisfied, or an individual’s reaction towards circumstances imposed by the external environment... >> Read more

Shanghai Minsheng Art Museum is pleased to present The System of Objects, a group show by Chinese contemporary artists. >> Read more

“So, are we starting?” “It’ll just be a casual conversation, don’t be nervous.” >> Read more

On Friday November 21st, 2014 at 3pm, the Shanghai 21st Century Minsheng Art Museum will celebrate its grand opening with its inaugural exhibition “Cosmos” (open to the general public on November 22nd). >> Read more

Rivers, trees, bubbles and meteorites are the elements found often in HUANG Yuxing’s paintings for the recent five years... >> Read more

“Goulash” is Liu Xinyi’s second solo exhibition at White Space Beijing since “Agent L”, in which his most recent installations will be presented. >> Read more

Shanghai Minsheng Art Museum presents Contemporary Photography in China 2009 – 2014. Featuring photography, installation and video works by 52 artists/art collectors, the exhibition intends to present a big picture of the development of contemporary photography in China. >> Read more

MOMENTUM Berlin and Minsheng Art Museum Shanghai announce collaborative project: Time_Art_Impact, a year-long education program of dialogues between media artists from the MOMENTUM Collection and key figures from the Shanghai art scene. >> Read more

A prize is always as much about the giver as the receiver. This year’s inaugural Sigg Prize, successor to the esteemed Chinese Contemporary Art Award (CCAA), was as much about M+ as it was about the winner, Hong Kong’s own Samson Yung. >> Read more