randian | 燃点

We are pleased to announce that Pace Gallery is now launching in Hong Kong with a new office, bringing one of the most famous Chinese contemporary artist Zhang Xiaogang’s latest oil on paper works to constitute its inaugural show. >> Read more

In conjunction with the National Museum of China in Beijing, where Huang's oeuvre will be subject of a solo show with the same name, Ink Studio shows Huang's most recent work. >> Read more

Red Gate Gallery is proud to the announce the opening of Mirrored Flower, a show of works by Zhang Zheyi and Chen Jiaye.
 
 
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James Cohan Gallery Shanghai is pleased to present an exhibition of paintings by three Chinese artists: Huang Yuanqing, Ouyang Chun and Shi Zhiying. >> Read more

Blindspot Gallery is delighted to present Chinese photographer Zhang Xiao’s award-­‐winning series "They", which won the Three Shadows Photography Award in 2010. >> Read more

Art+ Shanghai Gallery begins the 2013 year of programming with a much-anticipated solo exhibition from Shanghai-based artist Zhang Lehua. Love in a Golden Bowl explores how meaning is communicated and lost through a process of reading art. >> Read more

Idea of Exhibition “Infra-mince” is a mysterious concept that Marcel Duchamp proposed, with which he attempted to open up a subtle passage between the self and others. In a cross-cultural context that incorporates both East and Wes, and through a pursuit of the creative transformation of the Chinese traditional prosaic aesthetic, especially a new reactivation […] >> Read more

Chris Moore surveys Zhang Huan's art since the artist returned to China, with particular focus on the Ash Paintings exhibited at White Cube in London this summer, along with his major installations.... >> Read more

Rén Space is thrilled to announce the opening of Li Binyuan’s first Solo Exhibition in Shanghai, >> Read more

Writing from Paris in 1991 under the pseudonym “No Beard Fei,” Fei Dawei penned a letter to fellow art critic and curator “Scraggly Beard Grandpa,” the pen name of Li Xianting in Beijing. Fei’s letter was a response to Li’s concern that “if art leaves its cultural motherland, it necessarily withers.” >> Read more