randian | 燃点

The exhibition Face2Face to be held in the Today Art museum in March 2013 is a contemporary show about one of the most traditional subjects in art history: portraits and interiors. >> Read more

by Alice Gee Rui Matsunaga – The Myth of Survival Daiwa Anglo-Japanese Foundation (13/14 Cornwall Terrace, Regent’s Park, London) September 10–November 26, 2021 Rui Matsunaga, a Japanese artist based in Yamaguchi, is obsessed with the end of the world. Over five years she has examined the ‘apocalypse’ through various perspectives: the works of Dürer, animism, tribal and religious myths, and […] >> Read more

Richard Koh Fine Art (RKFA) is pleased to announce Malaysian artist, Yeoh Choo Kuan’s (b. 1988) first solo exhibition in Singapore. >> Read more

So I am walking in, wandering through this dimly lit, shack-like choral site, a sort of khôrā (χώρα), the territory outside the polis also rooted in it as an invisible receptacle, a housing house. >> Read more

Luo Mingjun assigns multiple meanings to the word “distance” (lointains) – the theme of this exhibition at the Galerie Gisèle Linder. >> Read more

Minimalist, conceptual, and deliberately provocative, Cao’s work reflects upon and exploits the physicality of her materials, from the conventional – marble, stretched linen and canvas – to unexpected, even transgressive, substances including the artist’s own hair, breastmilk and urine, and their various significations. >> Read more

UCCA Beijing presents “Elizabeth Peyton: Practice,” the first solo exhibition in China by the artist, a leading figure in contemporary painting. >> Read more

Online viewing room Chambers Fine Art is pleased to announce a new online exhibition featured exclusively on the ADAA Member Viewing Rooms entitled Guo Hongwei: Among the People. Since Things, his first exhibition at Chambers Fine Art in 2009, Guo Hongwei’s primary focus has been on painting although in The Great Metaphorist in 2014 he […] >> Read more

Tianjin, just half an hour by train from Beijing, is said to be the most inconspicuous of China’s municipalities. This is perhaps surprising, given the fact that it is the first city in Northern China to be exposed to modern culture, experiencing a glamorous era in the period following 1860 when it became a treaty port. Tianjin is the epitome of modernity with “Chinese characteristics”. >> Read more

Taking the lead from pervasive beliefs and superstitions in Southeast Asia about otherworldly beings, Phantoms and Aliens | The Invisible Other broadens the perception of phantom as invisible spirit to explore another, subtler dimension of invisibility, that is, social invisibility originated in discrimination and alienation. Featuring works that span documentary photography and oral history, to painting, mixed-media and video installations, the overarching focus of the exhibition is to consider the invisible other in society: the people, or communities, that live on the margins because of ethnic, religious or cultural differences. These individuals are but phantoms, alienated from the wider society - they are invisible, yet, they exist. >> Read more