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麓湖·A4美术馆年底大展《罗曼·西格纳：影像——一九七五至一九八九和现在》将于2018年11月3日在麓湖·A4美术馆开幕。 >> 更多

過往不少就中國當代藝術在國際發展的研究，往往集中於東西文化互動，例如旅居紐約或巴黎的中國藝術家、歐美收藏家的角色、或威尼斯雙年展等「國際」展覽。本講座將另闢蹊徑，檢視日本作為最早展示中國當代藝術的重要場域。 >> 更多

自80年代末期，罗曼凭借着出版物和录像被介绍到中国的艺术学院，并广泛的被接受。罗曼的工作涉及到火药、沙子、水和时间，1987年他在卡塞尔文献展闭幕式的项目《纸的行动》中，让他关于时间雕塑的概念彻底的达到顶点。罗曼的工作还不仅限于此...... >> 更多

2021年6月20日至9月7日，山中天艺术中心将呈现展览“做更好的人——新一代的工作方法 新工作、新身份、新方 […] >> 更多

(English) Grainy, velvety black photocopies of famous faces – portraits by Jan Van Eyck, Rembrandt, Ingres, Artemisia Gentileschi and others from the western art historical canon – were arranged in rows or grids. They gazed out from behind layers of acrylic paint, or wax that had been partially scraped back. >> 更多

(English) Born in Barbados in 1959, Ashley Bickerton had a peripatetic childhood across four continents, from Guyana to Ghana, on to the Balearic Islands and England, then finally Hawaii. His upbringing followed the career of his Anglo-American father, the eminent linguist Derek Bickerton, who researched creole languages and theorised on the formation of human language. >> 更多

维尔纳·巴特纳，改变了八十年代的德国狂野画家。 >> 更多

(English) Simon Mordant is one of Australia’s most prolific art collectors and philanthropists. As chair of Australia’s Museum of Contemporary Art and as Australia’s past Venice Biennale Pavilion Commissioner, Mordant has been one of the major forces driving modernization of Australia’s visual arts scene. >> 更多

(English) This exhibition puts the artist on display, literally. From the inside out. You may never again have an opportunity to see so much of one individual laid bare before your eyes all at one time. >> 更多

贝浩登（上海）欣然举办汉斯•哈同个展，这是继其于 2005 年在中国美术馆和南京博物院的展览之后于中国内地的首次个展。 >> 更多