(English) M+ Sigg Prize 2020 Nominees Announced
对不起，此内容只适用于English。 >> 更多
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驻地研究招募 | 一路向南×越南 2019-2020
广东时代美术馆荣幸地宣布 “一路向南”驻地研究将与位于越南胡志明市的The Factory当代艺术中心进行交换，现公开招募一位中国艺术家前往The Factory当代艺术中心进行驻地研究。与此同时，时代美术馆也将邀请一位越南艺术家来访广州进行一个月的驻地。交换结束后，两位艺术家需各自提交一份详细的创作计划以回应广州及胡志明市这两个选定的地理坐标及其跨本土的地缘政治共鸣，时代美术馆将选择其中一个优胜方案并提供5万元（人民币或等值外币）的委任创作基金。 >> 更多
M+公布首届希克奖六位入围艺术家名单得奖者将于2020年1月公布
位于西九文化区、致力收藏二十及二十一世纪视觉文化作品的香港博物馆M+公布入围首届希克奖的六位艺术家名单， >> 更多
(English) Dhaka Art Summit – Programme Announcement – 7-15 February 2020
(English) Samdani Art Foundation announces Seismic Movements: Dhaka Art Summit 2020, the fifth edition of the bi-annual research and exhibition platform focused on art and architecture connected to South Asia, to be held from 7 - 15 February 2020 in the Bangladesh Shilpakala Academy. >> 更多
台北双年展公布2020年第12届策展人
台北市立美术馆正式宣告，2020年第12届台北双年展将由法国知名社会学家、哲学家布鲁诺．拉图（Bruno Latour）与学者马汀．圭纳德林（Martin Guinard-Terrin）共同担任策展人。两位接棒的策展人表示，将于第11届的策展对话基础之上，进一步讨论「地理政治」（Geo-political）以及「地理历史」（Geo-historical）命题 >> 更多
(English) Lu Yang Devil Kaiju Kills Painting !
(Marilyn Manson says hi)
(English) Lu Yang’s ‘debut’ and Chen Tianzhou’s ‘Backstage Boys’ at BANK stimulate the senses to the point of overload. The gallery is a kitsch carnival where, for instance, the rock star Marilyn Manson is depicted as an ‘enchanting, vicious snake demon’ who resists the fiery attack launched by the Cabalesh Brothers >> 更多
(English) Chen Tianzhou ‘Backstage Boys’ at BANK Shanghai
(English) Chen Tianzhou, best known for his performance works, has dubbed himself a ‘backstage boy’ – one who spectates his art separately from the audience and ‘disappears into his own work’. >> 更多
(English) Phantoms and Aliens
The Invisible Other (Chapter 3)
(English) Taking the lead from pervasive beliefs and superstitions in Southeast Asia about
otherworldly beings, Phantoms and Aliens | The Invisible Other broadens the
perception of phantom as invisible spirit to explore another, subtler dimension of
invisibility, that is, social invisibility originated in discrimination and alienation.
Featuring works that span documentary photography and oral history, to
painting, mixed-media and video installations, the overarching focus of the
exhibition is to consider the invisible other in society: the people, or
communities, that live on the margins because of ethnic, religious or cultural
differences. These individuals are but phantoms, alienated from the wider
society - they are invisible, yet, they exist. >> 更多
