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2019.05.02 Thursday, 文 /

道格·阿提肯北京林冠艺术基金会个展

(English) Internet and smart phone technologies have led to sweeping change in society in our lifetime, forcing us to wrestle with new modes of thinking about and experiencing time, space, and speed, whereby our intellectual and emotional responses to past, present, and future are constantly shifting. >> 更多
2018.04.13 Friday, 文 /

道格·阿提肯,“新纪元”,303画廊, 纽约

303画廊于2018年4月13日至5月25日,呈现道格·阿提肯名为《新纪元》的新装置。 >> 更多
2019.06.22 Saturday, 文 /

(English) 303 Gallery: 35 Years

(English) 303 Gallery: 35 Years is a new hardcover publication chronicling the story of the gallery from >> 更多
访谈, 2018.12.20 Thursday, 文 /

(English) Jens Faurschou interview –
Munch in Copenhagen, Rauschenberg in Beijing

(English) Combining acumen, chutzpah and luck, Jens Faurschou became Denmark’s foremost gallerist and art dealer. It is a story, that along the way, has involved Picasso, Miro, Munch, Robert Rauschenberg - and Swedish banks. >> 更多
访谈, 2018.02.15 Thursday, 文 /

303 Gallery, 纽约

(English) 303 Gallery was first established by owner and director Lisa Spellman in 1984 at 303 Park Avenue South. In addition to its address, the gallery name also references Alfred Stieglitz's "Intimate Gallery" artists-collaborative located in Room 303 of the Anderson Galleries building. Spellman's 303 Gallery moved to the East Village in 1986. >> 更多
访谈, 2016.05.28 Saturday, 文 /

洛杉矶,艺术新前沿

不过,拿洛杉矶和纽约、或北京、或伦敦相比较,都是一个错误,因爲洛杉矶所拥有的是这些城市所没有的,有着截然不同的特质。 >> 更多
访谈, 2014.10.30 Thursday, 文 /

伊斯坦布尔:当代艺术

去伊斯坦布尔游玩,若当代艺术不是行程的重点,是可以被原谅的。毕竟,享有"城市中的女王"赞誉的伊斯坦布尔,聚集了大量历史遗址。但事实上,伊斯坦布尔已经逐渐变成了艺术兴盛之地:伴随着十年来的经济快速增长,新的博物馆、艺术空间和画廊如雨后春笋般涌现。 >> 更多