randian | 燃点

(English) (Guangzhou, March 30, 2019) The solo exhibition of German female artist Katharina Grosse: >> 更多

The last two decades of precipitous change have provided much grist for recent exhibitions, artist talks, and essays. The pre-eminence of digital technologies in society, the unpredictable advances in biotechnology and Artificial Intelligence, and irreversible environmental degradation encapsulated under the banner of the Anthropocene all speak to a certain disquiet towards unproblematic notions of progress. >> 更多

第六届广州三年展以“诚如所思：加速的未来”为题，将这篇开创性文本的深远影响延伸到艺术领域，以反映过去几十年来技术进步的轨迹及其在整个社会范围内的回响。 >> 更多

2018年7月6日至8月14日，由广东美术馆主办的“绘画在绘画在绘画之后：德国当代艺术中形式的创造”将呈现德国 […] >> 更多

对不起，此内容只适用于English。 >> 更多

(English) The main idea of those group-exhibitions was too show the new generations of Asian Artists with a special selection group show from China, Greater China ( Taiwan, Hong Kong,) South-East Asia (Singapore) and Korea >> 更多

(English) Sea Pearl White Cloud is a project realised through a collaboration between 4A Centre for Contemporary Asian Art, located in the heart of Sydney’s Chinatown >> 更多

为纪念悉尼与广州成为姐妹城市三十周年，4A 亚洲当代艺术中心与中国其中一家最前沿的艺术空间、广州的观察社合作，推出一个分为两站展览的项目。 >> 更多

(English) I am not going to tell you the truth anymore. It would take too long and maybe it will change anyway. As Dr Yu Tsun comments “Having read various interviews and articles on Zheng, I have some idea ... but no one has really got to grips with why he is an artist.” >> 更多

皮皮洛蒂•瑞斯特（Pipilotti Rist)的作品很适合广州。色彩斑斓、令人迷幻的花朵、天空、布料及丰饶的土地也是造访了这座中国南方城市的理由；在这里，深粉色的花朵招摇路旁，攀缘植物爬满天桥。展览标题“留涟”恰是瑞斯特常瞪眼看的标志性表情。 >> 更多