randian | 燃点

2016年12月10日下午3点，第三届今日文献展在北京今日美术馆1号馆2层盛大开幕。 >> 更多

(English) In Chandigarh, Pierre Jeanneret had the thankless task of supervising, step by step, >> 更多

⾹港──藝術⾨（⾹港畢打⾏）榮幸呈獻群展《⾏違》， >> 更多

现在，又一张照片成了热议的焦点：在希腊（因此也是欧洲的）的莱斯博斯（Lesbos）岛上模仿溺毙男童姿势的艾未未。众人无不惊恐地问道：“他真能这样做吗？！” >> 更多

联合欢乐港湾海滨文化公园海洋与大陆、城市与自然交融的环境优势，做出场地特定介入，策划展览国内外艺术家及建筑师在地创作的13组公共艺术作品 >> 更多

(English) Born in Barbados in 1959, Ashley Bickerton had a peripatetic childhood across four continents, from Guyana to Ghana, on to the Balearic Islands and England, then finally Hawaii. His upbringing followed the career of his Anglo-American father, the eminent linguist Derek Bickerton, who researched creole languages and theorised on the formation of human language. >> 更多

(English) Echoes of the transgressive works of the early 2000s resound in the ceramics practice of Liu Xi (b.1986, Zibo, Shandong). Liu’s frank exploration of gender and sexuality is courageous. >> 更多

(English) Emami Art, the contemporary art gallery at the Kolkata Centre for Creativity (KCC) is hosting ‘The Mirror Sees Best in the Dark’, a solo exhibition by one of India’s eminent artists, Mr. Bose Krishnamachari. >> 更多

(English) Samdani Art Foundation announces Seismic Movements: Dhaka Art Summit 2020, the fifth edition of the bi-annual research and exhibition platform focused on art and architecture connected to South Asia, to be held from 7 - 15 February 2020 in the Bangladesh Shilpakala Academy. >> 更多

The last two decades of precipitous change have provided much grist for recent exhibitions, artist talks, and essays. The pre-eminence of digital technologies in society, the unpredictable advances in biotechnology and Artificial Intelligence, and irreversible environmental degradation encapsulated under the banner of the Anthropocene all speak to a certain disquiet towards unproblematic notions of progress. >> 更多