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(English) (Guangzhou, March 30, 2019) The solo exhibition of German female artist Katharina Grosse: >> 更多

(English) Katharina Grosse is one of the leading artists working in the area of Expanded Painting, a field, in every sense, that encompasses extremely divergent practices, yet which always share an interest in the physical fundamentals of painting and paint – hue, light, material, surface, production – to explore directly the nature of painting itself and the ways people experience it. >> 更多

(English) Katharina Grosse’s oeuvre has continued to occupy one of the most important positions in international painting since the early 1990s. Constant innovation and variable perspectives run through her ideas and work, in which she systematically questions and expands the notion of painting in a remarkable way. >> 更多

(English) Two recent Berlin shows provide competing though equally compelling responses to the production line of abstraction currently dominant, or at least voluble, in New York. >> 更多

正如格罗伊斯在他的文章《论新艺术》（On the New）的开头所提到的那样：“最初，我们认为艺术史就是博物馆里陈列的那些东西。”也许有人会突然像马克思那样补充道——为什么不呢——其次才是闹剧。 >> 更多

“德国8（Deutschland 8）”是一个散布在北京七处场馆的展览项目，据主办方说，展览全面地呈现了从1945年至今德国艺术的整体发展。但是，这指的是哪个德国？ >> 更多

艺术并没有对应的摩天楼指数——该概念是指在经济危机开始之前人们往往会丧心病狂地建造破纪录的摩天大楼。艺术世界的顶端似乎对危机视而不见（幸好，还没投资建造高楼）。然而通货膨胀于艺术世界是可见的，这体现在失控的拍卖价格、私人美术馆与艺术存储设施的大肆扩张，以及填满了在建的巨大空洞的美术馆的艺术品本身之上。 >> 更多

对不起，此内容只适用于English。 >> 更多

(English) A crowded Art Basel Hong Kong opened today, following the inaugural Gallery Weekend Beijing and numerous private museum events in Shanghai, including Yuz Museum and K11. It seems Hong Kong is expanding to the Mainland. >> 更多

巴塞尔艺术展香港展会中广受赞誉的艺聚空间展区突破传统艺术展展位的形式，为大型雕塑装置作品提供独特的展览平台…… >> 更多