randian | 燃点

(English) Luo Mingjun assigns multiple meanings to the word “distance” (lointains) – the theme of this exhibition at the Galerie Gisèle Linder. >> 更多

曹雨的作品极简、观念，且蓄意挑衅，这是她对材料的物性进行考量之后的发挥，从传统的大理石、绷紧的亚麻画布——到令人意想不到甚至越界的物质，包括艺术家自己的头发、乳汁、尿液以及它们多重的象征意义。 >> 更多

(English) A prize is always as much about the giver as the receiver. This year’s inaugural Sigg Prize, successor to the esteemed Chinese Contemporary Art Award (CCAA), was as much about M+ as it was about the winner, Hong Kong’s own Samson Yung. >> 更多

(English) To describe Ji Dachun as a post-internet artist, at first sight seems inadequate. His painting doesn’t appear as particularly technoid or media based. At the heart of his more recent work, however, is to create a possible syntax of his medium along the transmitted painterly forms, and so to speak “to write and continue to write” its CODE. >> 更多

对不起，此内容只适用于English。 >> 更多

(English) The exhibition’s title derives from British polymath and socialist activist, William Morris’ 1890 novel of the same name, in which he imagines a utopian future liberated from systems of capitalism. >> 更多

(English) Thomas Rehbein Gallery was founded in 1995. The artistic program encompasses a range of contemporary positions of narrative and conceptual art. Ever since its beginning, the gallery has concentrated on substantial contemporary art. >> 更多

(English) SGA Three on the Bund announces its new exhibition, Aftermath余波, a dramatic vision by Gao Weigang and Michael Joo of environmental uncertainty and a post-technological world. >> 更多

(English) In Not Vital’s art, everything is out of place, yet precisely where it belongs. >> 更多

第四届北京独立艺术空间节（IAS）将于2019年9月6日至8日隆重举行。 >> 更多