randian | 燃点

(English) The Bunker art space announced Thursday that its landlord, Renmin University Of China, has decided to convert the entire courtyard into a ‘patriotic education base’ and was resuming all premises in the adjacent courtyard, particularly those with historical significance, such as the former bunker. >> 更多

尽管疫情仍在全球蔓延，但在5月底的北京，随着画廊周北京的举办和两家新美术馆的开馆展，艺术界似乎在逐步恢复展览的节奏，然而6月初新发地疫情的出现，又让北京绷紧了神经。 >> 更多

(English) It questions that self-adjusting process of fitting oneself into environments in order to survive, be at one. It goes a step further, however, and proposes: with the frequency of these constant shifts, are they indeed ephemeral in nature, or rather the foundations of a permanent future? >> 更多

在这场巨浪的峰尖上驻足的瞬间时，一个可以关注的点是某种作为人类的适应能力。就像观察这个急转掉头的世界中某几个个体的反应，具有无穷的乐趣。 >> 更多

第四届北京独立艺术空间节（IAS）将于2019年9月6日至8日隆重举行。 >> 更多

(English) Don’t be taken in by the fancy terms though. Rehberger always wants you to look for the errors and the dissonances that allow us to ‘hack’ the system, to get inside. The glitches are revealing, if only you look. >> 更多

策展人汤姆·莫顿（Tom Morton）邀请艺术家Sophie Jung呈现新的雕塑装置，伴随现场表演和循环录像作品。 >> 更多

“廿年回归前后话”, 1aspace | “广东快车：来自珠江三角洲的艺术”，M+ 展亭 | Fereydoun Ave，“阿巴斯国王和他的男仆”，Rossi & Rossi | 黄琮瑜“离心力”，汉雅轩 | Jacqueline Kiyomi Gordon“catchy”，Empty Gallery | 陈德良“离境陈德良与越南现代艺术的交织”，德萨画廊 >> 更多

(English) Simon Lee Gallery New York is pleased to present The Leftovers, a group exhibition organized by Franklin Melendez and Romain Dauriac which explores ideas of shelter. >> 更多

五月的第一个周末，艺术家路路、业晓凯的双个人项目在南京艺术学院美术馆启动，这表示在这个春天即将过去的中国当代艺术界又多一道风景，也意味着路路、业晓凯在个人及集体的公转、自转轨道上又到达新位置、进入新常态。 >> 更多