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2016.11.04 Friday, 文 /

尤伦斯当代艺术中心 – 郝量:潇湘八景 新倾向:王海洋

尤伦斯当代艺术中心(UCCA)于2016年11月4日至2017年1月8日在中展厅呈现个展“郝量:潇湘八景”。 >> 更多
2016.06.30 Thursday, 文 /

盖伊·尤伦斯男爵将要出售尤伦斯当代艺术中心

6月30日,尤伦斯当代艺术中心发(以下简称UCCA)发表官方声明,宣称创始人盖伊·尤伦斯(Guy Ullens)将把中心出售给新的赞助人正指望出售UCCA以及他的艺术收藏。 >> 更多
2015.12.23 Wednesday, 文 /

尤伦斯当代艺术中心发布2016年度展讯

12月21日,尤伦斯当代艺术中心(UCCA)在总结2015年工作的同时,发布了2016年度展讯。 >> 更多
2015.09.15 Tuesday, 文 /

(English) Special Event | JNBY: Land, Devil & Night | Ullens Center for Contemporary Art

(English) From 15 September to 15 December, JNBY and the Ullens Center for Contemporary Art (UCCA) along with artists He An, Lu Pingyuan, and Zhao Yu present “Land, Devil & Night,” the first in a series of collaborative art projects. >> 更多
2013.10.19 Saturday, 文 /

米米基金会义拍,为欧洲癌症病人筹得超过2,000,000英镑

米米基金会在Frieze期间举行拍卖活动,为全欧洲的癌症病人筹得超过2,000,000英镑善款。
 
 
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艺术世界, 2011.03.11 Friday, 文 /

拜拜! 盖•尤伦斯 向尤伦斯当代艺术道别

(English) So Guy Ullens is leaving the UCCA, selling his collection, lamenting failures and withdrawing from China. Does it really matter? Is UCCA such an important institution? Should a foreign-owned museum be attempting to define the debate about contemporary art in China? Or is Ullens just running away from failure? >> 更多
艺术世界, 2020.01.10 Friday, 文 /

(English) Ji Dachun
“Rain in rain, cloud in cloud, at no one’s fingertips”
Nagel Draxler, Berlin

(English) To describe Ji Dachun as a post-internet artist, at first sight seems inadequate. His painting doesn’t appear as particularly technoid or media based. At the heart of his more recent work, however, is to create a possible syntax of his medium along the transmitted painterly forms, and so to speak “to write and continue to write” its CODE. >> 更多
艺术世界, 2019.05.17 Friday, 文 /

杨泳梁个展《不朽之境》HdM 画廊伦敦

(English) HdM GALLERY London presents Eternal Landscape a solo show by leading Chinese, multimedia artist Yang Yongliang. It will be his first major collaboration with HdM GALLERY and his first solo exhibition in London. >> 更多
访谈, 2019.03.25 Monday, 文 /

(English) From Basel to Hong Kong. An interview with Dominique Lévy

(English) Just prior to Chinese New Year Chris Moore spoke Dominique Lévy by telephone to discuss Hong Kong and China, beginning by discussing why Lévy Gorvy first opened an office in Shanghai before opening the gallery in Hong Kong. >> 更多
访谈, 2018.11.27 Tuesday, 文 /

郝敬班
不速之客
刺点画廊,香港

郝敬班於刺點畫廊的首次個展“不速之客”展出她最新項目中的三部錄像作品。郝敬班的最新項目以 1930 至 1940 年代的滿洲國為背景,她通過歷史研究、資料搜集、實地考察、個人訪談,追溯滿洲映畫(及後的長春製片電影廠)時期所製作的政治宣傳電影、劇情片、紀錄片、及相關人物等,以真實與虛構交錯的敍事手法,通過錄像和現場表演的形式,探討影像語言的政治性、詮譯的主觀性,同時呈現這些媒介背後的權力操控、邊界角力及身份矛盾。 >> 更多

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