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2020.05.09 Saturday, 文 /

吳季璁於越南西貢成立新工作室

(English) Recently, Wu Chi-Tsung has set up a new studio in collaboration with Vietnamese artist Cam Xanh in Saigon, Vietnam as a significant step of his internationally-minded exploration. >> 更多
2017.05.16 Tuesday, 文 /

离境:陈德良,德萨画廊,香港

德萨画廊与Art Agenda S.E.A.诚意推出新展《离境:陈德良》,展览融合了越南当代与现代经典艺术佳作,旨在追溯上世纪游走于越南与西方之间的艺术家以及他们的创作概念。 >> 更多
艺术家档案, 2016.01.12 Tuesday, 文 /

越南的游击艺术馆——“平台艺术空间”总监佐伊·巴特访谈录

对于大多数人来说,越南是一个在二十世纪初才开始形成的概念,而这个概念更多是由外国人而非本地人塑造构建起来的。 >> 更多
艺术家档案, 2020.12.26 Saturday, 文 /

世纪·浪潮——2020海花岛国际艺术邀请展召开首次媒体见面会

本次展览将展出包括希腊、法国、韩国、喀麦隆、美国、日本、泰国、委内瑞拉、新加坡、伊朗、意大利、印度、英国、越南、中国在内的23个国家80多位艺术家共计140余件套作品,汇集了不同文化背景下的艺术创作。 >> 更多
艺术家档案, 2020.11.03 Tuesday, 文 /

(English) Võ An Khánh – When Documentary Photographs Are No Longer Mementos

(English) Whereas abundant journalistic snapshots tend to collect spectacles of ghastly pain and fortify demarcations between utterly simplified factions, Võ’s most haunting pictures unveil encounters, precarious and transient. >> 更多
艺术家档案, 2020.10.30 Friday, 文 /
艺术家档案, 2020.09.30 Wednesday, 文 /

(English) CCA Singapore Online Benefit Auction – Live Now!

(English) Online Benefit Art Auction for NTU Centre for Contemporary Art Singapore Bidding Period 1 – 18 October >> 更多
艺术家档案, 2020.05.29 Friday, 文 /

Lê Lan Anh (1993–2020)

(English) Lê Lan Anh, also known as Lananh Le, one of the most vivid young artists in the Ho Chi Minh City art scene, died on April 19. She had been suffering from depression and it seems this was exacerbated by the social restrictions introduced to control the pandemic. >> 更多
艺术家档案, 2020.03.16 Monday, 文 /

陈天灼 “后台男孩”

陈天灼以行为艺术最为出名,自称为“后台男孩”,他从观者的角度审视自己的艺术,并“消失在自己的作品中”。 >> 更多
艺术家档案, 2020.03.07 Saturday, 文 /

(English) Phantoms and Aliens
The Invisible Other (Chapter 3)

(English) Taking the lead from pervasive beliefs and superstitions in Southeast Asia about otherworldly beings, Phantoms and Aliens | The Invisible Other broadens the perception of phantom as invisible spirit to explore another, subtler dimension of invisibility, that is, social invisibility originated in discrimination and alienation. Featuring works that span documentary photography and oral history, to painting, mixed-media and video installations, the overarching focus of the exhibition is to consider the invisible other in society: the people, or communities, that live on the margins because of ethnic, religious or cultural differences. These individuals are but phantoms, alienated from the wider society - they are invisible, yet, they exist. >> 更多

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