randian | 燃点

(English) Born in Barbados in 1959, Ashley Bickerton had a peripatetic childhood across four continents, from Guyana to Ghana, on to the Balearic Islands and England, then finally Hawaii. His upbringing followed the career of his Anglo-American father, the eminent linguist Derek Bickerton, who researched creole languages and theorised on the formation of human language. >> 更多

维尔纳·巴特纳，改变了八十年代的德国狂野画家。 >> 更多

(English) Emami Art, the contemporary art gallery at the Kolkata Centre for Creativity (KCC) is hosting ‘The Mirror Sees Best in the Dark’, a solo exhibition by one of India’s eminent artists, Mr. Bose Krishnamachari. >> 更多

(English) To describe Ji Dachun as a post-internet artist, at first sight seems inadequate. His painting doesn’t appear as particularly technoid or media based. At the heart of his more recent work, however, is to create a possible syntax of his medium along the transmitted painterly forms, and so to speak “to write and continue to write” its CODE. >> 更多

前波画廊诚挚地宣布《宋红权：地下》将于2019年6月22日开幕。 >> 更多

墨斋画廊隆重呈现著名艺术家李津早期作品回顾展“骨与肉”， >> 更多

(English) Almine Rech London is pleased to present a solo exhibition by Tom Wesselmann, opening January 30th and continuing until March 23, 2019. >> 更多

艾域克‧柏達 (Eric Baudart) 在香港馬凌畫廊的個展“one, maybe two Parsecs”參照專門衡量太陽系外天文物體之間的長度或距離單位， >> 更多

(English) Sullivan+Strumpf is delighted to present an exhibition by Singapore-based Dawn Ng at its Sydney Gallery. >> 更多

艾域克‧柏达( Eric Baudart )在香港马凌画廊的个展“one, maybe two Parsecs”参照专门衡量太阳系外天文物体之间的长度或距离单位，柏达利用这种科学根源和发现方法来处理一段寻找答案的漫长过程，从而开启了更丰富的提问：如我们唯一知道的事情是我们永远无法上知天文下知地理；如何能够去了解一张脸庞或一段音乐，思考它，但却不全然明白个中的道理。通过一系列雕塑作品和绘画，召唤出柏达对对象和物质性的持续关注，以及他如何探索人类未知领域却又不全然征服它的条件。 >> 更多