randian | 燃点

在马凌画廊的积极促成之下，Condo终于在2018年七月的上海拉开序幕。“Condo” 之名取自“ Condominium”（共治），是国际上画廊之间联手合作展览的新兴方式。本次 Condo Shanghai 共有九家上海本地的画廊参加，接待十三家国外画廊，分享自己的空间，与受邀画廊一起展示各自代理艺术家的精彩作品。 >> 更多

艺术并没有对应的摩天楼指数——该概念是指在经济危机开始之前人们往往会丧心病狂地建造破纪录的摩天大楼。艺术世界的顶端似乎对危机视而不见（幸好，还没投资建造高楼）。然而通货膨胀于艺术世界是可见的，这体现在失控的拍卖价格、私人美术馆与艺术存储设施的大肆扩张，以及填满了在建的巨大空洞的美术馆的艺术品本身之上。 >> 更多

(English) ShanghART had a standout solo-presentation of Liang Shaoji (museums everywhere take note: we need to see a major retrospective of Liang Shaoji). BANK (Shanghai) was present at Frieze Masters with a presentation of Maryn Varbanov's woven sculptures and Antenna Space brought a series of paintings by Cheng Xinyi. >> 更多

对不起，此内容只适用于English。 >> 更多

(English) John Baldessari's "Ear Sofa; Nose Sconces with Flowers (in Stage Setting)", 2009/2017, was the best and weirdest thing at Unlimited, including when the model got some dust in her eye >> 更多

(English) Reports on the art market are suddenly very hip. The art market is still such a tiny little thing compared with other markets, like pork bellies or copper, but a sufficient number of investment bank clients are involved in it to make the analysis worthwhile. The trouble is that most reports are rubbish, with a few exceptions. >> 更多

(English) I stepped off the plane, inhaled deeply, and choked on the news that America had elected Donald Duck as president. Had the plane actually crashed in a massive ball of fire without me noticing? >> 更多

翻译中，中文版即出 >> 更多

本文仅限英文阅读 >> 更多

当我初次见到丹·格雷厄姆时，他就像个无名小卒似地靠墙而立，须发皆白，身着格子呢衬衣和旧羊毛衫。
 
 
 
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