randian

2020.08.01 Saturday, 文 /

数字错乱症：线上没有救星

制造点小小骚动，打乱原有的秩序，然后一切就变得混乱了 >> 更多

2017.06.23 Friday, 文 /

“马思·巴斯: 蜿蜒之门”，余德耀美术馆项目空间，上海

“如何将一个物件变为其自身的图式以及这种图式又如何表现出这个物件是我的兴趣所在。我们总是通过空间去展开我们的行 […] >> 更多

2016.06.23 Thursday, 文 /

(English) Like the impact of any massive object, the past months have seen shockwaves emanate from the opening of the National Gallery of Singapore (NGS), in the form of various reviews and opinion pieces. >> 更多

2015.06.13 Saturday, 文 /

《雨屋》即将登陆上海余德耀美术馆兰登国际大型装置艺术亚洲首展

兰登国际（Random International）的作品《雨屋》（Rain Room）是一个具有里程碑意义的大型艺术装置，它激发观众成为陌生舞台上的参与者，同时又营造了表演者与观看者之间的微妙互动。 >> 更多

2020.07.26 Sunday, 文 /

郭鸿蔚：在人民间

点击在线浏览前波画廊诚挚地宣布将在美国艺术经销商协会（ADAA）线上展厅展出《郭鸿蔚：在人民间》。自其200 […] >> 更多

2020.04.20 Monday, 文 /

(English) The End of the World

(English) Will any large exhibition or art fair take place in September. Even if they do, will anyone go? Will US collectors fly to Basel? Will they risk a sudden 2-week quarantine? Even if they do, will they still feel like spending? Will they still have anything to spend even? >> 更多

思考, 2021.05.11 Tuesday, 文 /

摄影之“空”：“摄-影”的诗哲学反思：卡别耶拉·莫拉维茨与李圭的圆桌对话

《消失的解构》 See+画廊, 北京, 中国 2015年12月5日—2016年1月30日组织者：画儿，see […] >> 更多

思考, 2021.02.18 Thursday, 文 /

(English) Lindy Lee at MCA Australia, Sydney
Replicas, postmodernism and ‘bad copies’

(English) Grainy, velvety black photocopies of famous faces – portraits by Jan Van Eyck, Rembrandt, Ingres, Artemisia Gentileschi and others from the western art historical canon – were arranged in rows or grids. They gazed out from behind layers of acrylic paint, or wax that had been partially scraped back. >> 更多

艺术家档案, 2020.09.01 Tuesday, 文 /