randian | 燃点

陈天灼以行为艺术最为出名，自称为“后台男孩”，他从观者的角度审视自己的艺术，并“消失在自己的作品中”。 >> 更多

(English) The breadth of Malaysia’s small but energetic art scene took center stage last November for the fourth edition of Gallery Weekend Kuala Lumpur. >> 更多

(English) To inaugurate its 10-year anniversary celebration in Singapore, Richard Koh Fine Art (RKFA) kicks off the year with two special solo presentations by Natee Utarit and Nadiah Bamadhaj. RKFA is pleased to announce two highly anticipated exhibitions titled DÉJÀ VU: Your Past is My Future by Natee Utarit (b.1970) & Dreaming Desire by Nadiah Bamadhaj (b.1968) at RKFA Singapore. >> 更多

我简单写下我对本次台北艺术博览会的印象： “它既非常年轻，有着少年的不安感和乐观主义精神，也已苍老，透着饱经世故之后和人之老矣的一丝懈怠。 >> 更多

(English) Tony Albert’s Wonderland throws into question the historical framework of the global misrepresentation of First Nations peoples. >> 更多

林東鵬將於刺點畫廊舉行首次個展“山洞記”。 >> 更多

The last two decades of precipitous change have provided much grist for recent exhibitions, artist talks, and essays. The pre-eminence of digital technologies in society, the unpredictable advances in biotechnology and Artificial Intelligence, and irreversible environmental degradation encapsulated under the banner of the Anthropocene all speak to a certain disquiet towards unproblematic notions of progress. >> 更多

杨嘉辉在马凌画廊（上海）的2018年个展题为“马路如虎口”。 “马路如虎口”是一句香港市民耳熟能详的口号，它来自1990年代一首政府宣传交通安全的儿歌。杨嘉辉是一位接受过专业作曲训练的跨学科艺术家，2013年获得美国普林斯顿大学音乐作曲的博士学位。 >> 更多

前几个月的北京发生了很多，但是过眼一遍大小艺术展览却没有什么体现，更多是摸不着头脑、缺乏勇气的社交秀。《燃点》邀请卞卡谈一下自己对于《化学之爱》展的感受和理解。 >> 更多

(English) FIAC opened this week with 192 galleries exhibiting from 29 countries. Ran Dian spoke with Jennifer Flay, FIAC's director. >> 更多