randian | 燃点

(English) The Stockmarket is wobbly, China growth is slowing, Beijing's regulatory regime is tightening, there is a lot of hidden bad debt (who knows how much in State Owned Enterprises), there is a property bubble and a trade war with the United States. >> 更多

上海—2016年6月5日开始，藝術門将荣幸呈现华裔澳大利亚艺术家杨子荣的个展——《澜回》。 >> 更多

《平静》（“Calm”）是一堆低矮平坦、落满尘土的碎片残骸，大部分碎片一米来高，散落在附近市区的人行道上，但是其边缘却降下来，降成一个修剪整齐的长15米、宽8米的矩形，构成了奇特的对比。这是最佳状态的公共艺术——巨大且熟悉，微妙却仓促。不管是爱或恨，它能激起每个人的回应。 >> 更多

对不起，此内容只适用于English。 >> 更多

(English) Born in Barbados in 1959, Ashley Bickerton had a peripatetic childhood across four continents, from Guyana to Ghana, on to the Balearic Islands and England, then finally Hawaii. His upbringing followed the career of his Anglo-American father, the eminent linguist Derek Bickerton, who researched creole languages and theorised on the formation of human language. >> 更多

维尔纳·巴特纳，改变了八十年代的德国狂野画家。 >> 更多

(English) Simon Mordant is one of Australia’s most prolific art collectors and philanthropists. As chair of Australia’s Museum of Contemporary Art and as Australia’s past Venice Biennale Pavilion Commissioner, Mordant has been one of the major forces driving modernization of Australia’s visual arts scene. >> 更多

(English) William and Dorothy Wordsworth moved to Alfoxden in Somerset in 1797 to be near Coleridge, then living at Nether Stowey. When the three of them took to going for walks in the surrounding country (sometimes, God forbid, at nightfall to see the stars), the locals were suspicious. >> 更多

程展偉的《液化陽光》(2014-2015) 同時介入了加法和減法: >> 更多

藝術門（香港畢打行）榮幸呈獻中國藝術家厐壔個展「啟示」， >> 更多