Venue
Address

T:
W:
Opening Hours
Director
Contact Person

>> See map

(English) Concept Context Contestation: art and the collective in Southeast Asia

对不起,此内容只适用于English

  • Bui Cong Khanh (1) - The Past Moved (2010) - 800 x 200 x 241 cm, charcoal on paper, canvas backdrop and 8 photographs- Photograph taken by Pham Quang in Saigon

    Bui Cong Khanh (1) - The Past Moved (2010) - 800 x 200 x 241 cm, charcoal on paper, canvas backdrop and 8 photographs- Photograph taken by Pham Quang in Saigon

  • Bui Cong Khanh, “The Past Moved (2010)”, charcoal on paper, canvas backdrop and 8 photographs, 800 x 200 x 241 cm- Photograph taken by Pham Quang in Saigon

    Bui Cong Khanh (2) - The Past Moved (2010) - 800 x 200 x 241 cm, charcoal on paper, canvas backdrop and 8 photographs Photograph taken by Pham Quang in Saigon

  • Bui Cong Khanh, “The Past Moved (2010)”, charcoal on paper, canvas backdrop and 8 photographs, 800 x 200 x 241 cm- Photograph taken by Pham Quang in Saigon

    Bui Cong Khanh (3) - The Past Moved (2010) - 800 x 200 x 241 cm, charcoal on paper, canvas backdrop and 8 photographs Photograph taken by Pham Quang in Saigon

  • Imelda Cajipe Endaya, “Ineng Dalagitang Maranaw”, photoengraving, etching and collagraphy, 32.5x 41.5 cm, 1979, courtesy of artist

    Imelda Cajipe Endaya- Ineng Dalagitang Maranaw,1979 - 32.5x 41.5 cm - photoengraving, etching and collagraphy, courtesy of artist

  • Lee Wen, “Ping-Pong Go Round” - 600x76 cm- Photograph taken in April 1998, at Construction in Process VI - The Bridge,  Melbourne, Australia

    Lee Wen(1) - Ping-Pong Go Round - 600x76 cm- Photograph taken in April 1998, at Construction in Process VI - The Bridge, Melbourne, Australia

  • Lee Wen, “Ping-Pong Go Round” - 600x76 cm- Photograph taken in April 1998, at Construction in Process VI - The Bridge,  Melbourne, Australia

    Lee Wen(2), Ping Pong Go Round, 340x76cm, from Lee Wen- Lucid Dreams in the Reverie of the Real, 20 April to 10 June 2012 at Singapore Art Museum, Singapore

  • Lee Wen(3), Ping Pong Go Round,  700x76cm, from Lee Wen- Lucid Dreams in the Reverie of the Real, 20 April to 10 June 2012 at Singapore Art Museum, Singapore.jpg

    Lee Wen(3), Ping Pong Go Round, 700x76cm, from Lee Wen- Lucid Dreams in the Reverie of the Real, 20 April to 10 June 2012 at Singapore Art Museum, Singapore.jpg

  • Manit Sriwanichpoom, “The Election of Hatred”, photograph, 60x 90 cm each, 2011, Courtesy of Artist

    Manit Sriwanichpoom - The Election of Hatred - 2011, 60x 90 cm each, photograph, Courtesy of Artist

  • Moe Satt, “Happening of Bicycle Tyre-rolling in Yangon (Independence Monument)”,  photograph, 60x 90 cm each, 2013, photograph taken by Thu Rein at Maha Bandoola Park, courtesy of artist

    Moe Satt - Happening of Bicycle Tyre-rolling in Yangon (Independence Monument) - 2013 - 60 x 90 cm - photograph - photograph taken by Thu Rein at Maha Bandoola Park, courtesy of artist

  • Simryn Gill, “A small town at the turn of the century #34” , c-type print, 91.4 x 91.4 cm, 2001--Private Collection, Kuala Lumpur, Courtesy of Tracy Williams, Ltd., New York

    Simryn Gill - A small town at the turn of the century #34 - 2001- 91.4 x 91.4 cm - c-type print -Private Collection, Kuala Lumpur, Courtesy of Tracy Williams, Ltd., New York

  • Taring Padi, “Semua Bersaudara”,  woodcut on brown paper, 45cm x 60cm, 1998, Courtesy of Cemeti Art House - Collection of Mella Jaarsma & Nindityo Adipurnomo

    Taring Padi - Semua Bersaudara -1998 - 45cm x 60cm - Woodcut on brown paper - Courtesy of Cemeti Art House - Collection of Mella Jaarsma & Nindityo Adipurnomo

  • Vandy Rattana, “Khmer Rouge Trial (2009)”, digital c-print, 40 x 60 cm, taken at Extraordinary Chambers in the Courts of Cambodia, courtesy of artist

    Vandy Rattana - Khmer Rouge Trial (2009), 40 x 60 cm, digital c-print, taken at Extraordinary Chambers in the Courts of Cambodia, courtesy of artist

  • Vasan Sitthiket, “For the Nation's Identity from Blue October series (1996)”, mixed technique, 150 x 150 cm, courtesy of Numthong Gallery

    Vasan Sitthiket - For the Nation's Identity from Blue October series (1996), 150 x 150 cm, Mixed Technique -courtesy of Numthong Gallery