2017.12.17 Sunday, 文 /
(English) Island Mentalities—Geopolitics, Migration, Evolution and the Yokohama Triennale
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  • AI Weiwei, “Safe Passage,” life jackets and inflatable raft, Dimensions variable, 2016 “Reframe”, PVC, polycarbonate, rubber (set of 14), 650 x 325x75 cm (each), 2016 Installation view at Yokohama Museum of Art, Yokohama Triennale 2017, photo: Kato Ken © Ai Weiwei Studio, photo courtesy of Organizing Committee of Yokohama Triennale
  • AI Weiwei, “Safe Passage,” life jackets and inflatable raft, Dimensions variable, 2016 “Reframe”, PVC, polycarbonate, rubber (set of 14), 650 x 325x75 cm (each), 2016 Installation view at Yokohama Museum of Art, Yokohama Triennale 2017, photo: Kato Ken © Ai Weiwei Studio, photo courtesy of Organizing Committee of Yokohama Triennale
  • Christian Jankowski, “Heavy Weight History”, video (color, sound, 26 min), 2013, photograph: Szymon Rogynski, courtesy: the artist, Lisson Gallery
  • Installation view of Yokohama Lounge
  • AI Weiwei, “He Xie”, porcelain, dimensions variable, 2011
  • MAP Office, “Domesticated Island (Japan) — Island of Love”, MDF board, cardboard, figurine, shell, wax, glass case, artificial plant, sand, sound, 120 x168 x121 cm, 2017
  • MAP Office, “Moving Lemuria from the Indian to the Pacific Ocean”, various shells from Sanibel Island (Florida, USA), various plastic trash found on the beach, fine black sand, 25x226 cm, 2015
  • IMG_3851
  • Mr., Installation view
  • Mr., 15 minutes from Shiki-station, acrylic on canvas, 162x130.3cm, 2003
  • The Propeller Group, “Lenin as Jack Dawson in Titanic”, oil and embroidery on canvas, 154 x80 cm, 2013
  • The Propeller Group, “Lenin as Cobb in ‘Inception’”, oil and embroidery on canvas, 104 x84 cm, 2013
  • MAP Office, installation view
  • Sam Durant, “1853-1900, Map of the World, Japan Centered”, colored pencil on paper, diptych, 51.9x61.8, 57.2x76.2cm, 2015
  • Sam Durant, “The Commodore’s Dream”, model ships, 59.1x134 x27.9cm, 2017
  • glass (8 pieces), 55 x17 x10 cm, (each), 2015
  • Wael Shawky, “Cabaret Crusades: The Secrets of Karbalaa,” HD video (color, sound, 120’22”), 2015
  • glass (8 pieces), 55 x17 x10 cm, (each), 2015
  • “Why Are We?” Project
  • “Why Are We?” Project
  • “Why Are We?” Project
  • Ozawa Tsuyoshi, “The Return of K.T.O., oil on canvas,150 x250 cm, 2017
  • Ozawa Tsuyoshi, “The Return of K.T.O., oil on canvas,150 x250 cm, 2017
  • Christian Jankowski, “Heavy Weight History”, video (color, sound, 26 min), 2013, photograph: Szymon Rogynski, courtesy: the artist, Lisson Gallery
  • Christian Jankowski, “Heavy Weight History”, video (color, sound, 26 min), 2013, photograph: Szymon Rogynski, courtesy: the artist, Lisson Gallery
  • Christian Jankowski, “Artistic Gymnastic (Planking)”, b/w photograph, 70.6x52 cm, 2014
  • Christian Jankowski, “Artistic Gymnastics (Forward Press ups)”, b/w photograph, 70.6x52cm, 2014
  • Christian Jankowski, “Massage Masters”, installation (video 36′54″ and massage equipment), dimensions variable, 2017
  • Joko AVIANTO,2017,yokotori Joko Avianto, “The border between good and evil is terribly frizzy”, bamboo apus, bamboo betung, 550 x 1,290 x 460 cm, installation view, Yokohama Triennale 2017, photo: Tanka Yuichiro, photo courtesy of the Organizing Committee of Yokohama Triennale
  • Map Office, “Island for the Colorblind, Green and pink sea urchin shells from Greece, fine white sand, 25 x 226 cm, 2014
  • Wael Shawky, “Cabaret Crusades: The Secrets of Karbalaa (Marionette)”, 2015 © Wael Shawky; courtesy Lisson Gallery
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关键字: ai weiwei, Christian Jankowski, Galapagos syndrome, MAP Office, migration, MR., Ozawa Tsuyoshi, Propeller Group, Sam Durant, Sputniko, Wael Shawky, Yokohama Triennale,