randian | 燃点

(English) Raimund Girke’s medium was white: as erasure, as layer, as edge, as foreground, background, gesture, fog, lens and matter...whiteness is not simply a counterpoint of contrast and scale, but the elemental background...
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(English) ASIANOW is an exceptional fair that allows its audience to freshly reconsider contemporary Asian art. >> 更多

(English) Row after row of sleek black telephones on white plinths, each one indistinguishable from the next; we are reminded at first of the cold, impersonal, mass-produced objects of a factory, devoid of human traces. >> 更多

(English) The subject of “Coloured Sky” is a young girl of indeterminate age, who we never see. She is imagining what it is like to be an adult woman, a glamorized “film” version of her future. >> 更多

OCAT 西安馆对于能够呈现任戬长达 36 米的重要画作《纪元》深感荣幸。 >> 更多

(English) Representing space in “LANDSEASKY” demonstrates that an objective view is rarely a truly neutral view. For the artist, space signifies a responsibility to memorialize, as well as to represent... >> 更多

台湾艺术家黄致阳的《工·课》是中国国家博物馆近期推出的重要展览，在此次展览中，黄致阳讲述了他成为艺术家的经历，以及不断对自我表达和理解的探索里程...... >> 更多

麦克·艾墨格林与英加尔·德拉格塞特将展览的活动和体验当成了自己的媒介，其中也包括和观众进行的剧场式互动。他们的作品虽然经常表现出玩世不恭之态，但大部分都带有强烈的政治痕迹，例如社会-经济批判，特别是针对同性恋的权益问题...... >> 更多

(English) Billy Childish, as his adopted name suggests, is an antidote to the art world’s pretension. An early punk and expelled from art school, he has always refused to just fit in or comply. He is a prolific musician, poet, writer and painter... >> 更多

貝浩登很榮幸為藝術家組合Elmgreen & Dragset在香港舉辦首次個 展《THE OLD WORLD》,日期由4月3日至5月3日。屆時,畫廊除 了展示作品,更會成為電影拍攝場地,讓展出的雕塑作為主角以故 事串連起來,拍成一套電影。 >> 更多