randian | 燃点

《消失的解构》 See+画廊, 北京, 中国 2015年12月5日—2016年1月30日 组织者：画儿，see […] >> 更多

由台湾桃园市立美术馆办理的「2021桃源国际艺术奖」，于去年征件期间广泛得到来自世界各地艺术创作者的关注，总计征得46国604件作品参赛。经国际评审团评选出17件入围作品，将于3月13日起在桃园展演中心展出，开幕当日也将举办颁奖典礼，并揭晓首奖及其他奖项得主。目前兴建中的桃园市立美术馆，通过各种艺术活动为未来的营运暖身，馆舍更由日本的山本理显设计工场和台湾的石昭永建筑师事务所连手规划，结合周围自然环境与小区的「山丘」造型，完工后势必將成为台湾又一处重要的艺术殿堂。 >> 更多

(English) Born in Barbados in 1959, Ashley Bickerton had a peripatetic childhood across four continents, from Guyana to Ghana, on to the Balearic Islands and England, then finally Hawaii. His upbringing followed the career of his Anglo-American father, the eminent linguist Derek Bickerton, who researched creole languages and theorised on the formation of human language. >> 更多

海外的中国艺术展倾向于肯定我们对这个国家历史、文化、政治和人民的假设。从表面来看，目前在澳大利亚国家美术馆（NGA）的展览《徐震®：永恒Vs. 进化论》（XU ZHEN®: Eternity Vs Evolution）亦然：观众看到的，是关于中国过去和当下的两种成见的结合。 >> 更多

维尔纳·巴特纳，改变了八十年代的德国狂野画家。 >> 更多

我走进，漫步于这个昏暗的，共创棚屋。这是一种内在的大地（χώρα）：一种在城邦（polis）之外的领土，但是同时作为一种不可见的腹地根植其中——正在容纳屋子的屋子。 >> 更多

制造点小小骚动，打乱原有的秩序，然后一切就变得混乱了 >> 更多

尽管疫情仍在全球蔓延，但在5月底的北京，随着画廊周北京的举办和两家新美术馆的开馆展，艺术界似乎在逐步恢复展览的节奏，然而6月初新发地疫情的出现，又让北京绷紧了神经。 >> 更多

(English) Emami Art, the contemporary art gallery at the Kolkata Centre for Creativity (KCC) is hosting ‘The Mirror Sees Best in the Dark’, a solo exhibition by one of India’s eminent artists, Mr. Bose Krishnamachari. >> 更多

(English) Simon Lee Gallery, New York, is pleased to announce a group exhibition featuring new works by Mira Dancy, France-Lise McGurn, and Clare Woods. Connected through an interest in figurative representation, the exhibition brings together three artists who present the body in unconventional ways, each exploring contemporary issues surrounding gender, sexuality, society and politics, as well as addressing the long and problematic history of the male gaze. The submissive female subject typically depicted reclining, seated or kneeling, is one of the most recognizable motifs in art history. As seen in this exhibition, Dancy, McGurn, and Woods respond to this convention through disparate methods presenting the figure as alternatively dominant, vulnerable, playful, or even androgynous, restoring to their subjects a sense of agency and recontextualizing the trope for our contemporary moment. >> 更多