randian | 燃点

香港城市大学“创意媒体学院”现已接受2020硕士申请 >> 更多

(English) This exhibition puts the artist on display, literally. From the inside out. You may never again have an opportunity to see so much of one individual laid bare before your eyes all at one time. >> 更多

(English) Lu Yang’s ‘debut’ and Chen Tianzhou’s ‘Backstage Boys’ at BANK stimulate the senses to the point of overload. The gallery is a kitsch carnival where, for instance, the rock star Marilyn Manson is depicted as an ‘enchanting, vicious snake demon’ who resists the fiery attack launched by the Cabalesh Brothers >> 更多

(English) Travelling from the corners of East Java to a 19th century church in Islington, Edouard Malingue Gallery (Hong Kong, Shanghai) is thrilled to present ‘Madakaripura’ the first solo presentation in London of the Indonesian collective Tromarama (est. 2006, Bandung). Marking the last exhibition in the gallery’s temporary project space, Tromarama transport us to a historical waterfall, which is believed to be the last place where Gajah Mada (c. 1290 - c. 1364) - a central figure in Indonesian culture who used to be a Mahapatih or Prime Minister in the Majapahit empire - meditated before he reached Moksa, a term for various forms of emancipation and enlightenment >> 更多

展览以沪申为核心，在外滩三号整座建筑中呈现展览作品。展览标题——Pal(ate)/ette/由同形同音异义词Palate和Palette构成，寓意本次在外滩三号呈现的展览将给观者带来一场由味觉、视觉、听觉、嗅觉和触觉构成的感官文化综合体验。 >> 更多

(English) HdM GALLERY London presents Eternal Landscape a solo show by leading Chinese, multimedia artist Yang Yongliang. It will be his first major collaboration with HdM GALLERY and his first solo exhibition in London. >> 更多

ART LABOR非常荣幸呈现五位艺术家联展，以丰富、充满活力的细节探索内在情感和外部环境 >> 更多

(English) Lamb’s flatness emphasises the illusionistic nature of painting and by firmly placing her subject in the everyday, ‘Everything is Waiting’ offers a welcome alternative to the saturating nature of consumer culture. >> 更多

马凌画廊（上海）很荣幸于2019年1月12日举办印尼艺术小组特罗拉马（Tromarama）在中国大陆的首个个展《LLIMIIINALL》。展览题目来自英文单词“Liminal”，意思是“阈限”，指一种临界状态，一个过渡时期。在这个展览中，特罗拉马创造了一个在虚拟世界与物质世界的边界徘徊的场所，其中，社交媒体上的匿名者们无意识地参与到作品的构成，数据以各種方式流入物理空间，构成了一个从人类意识向无限数据转换的临界状态。 >> 更多

第六届广州三年展以“诚如所思：加速的未来”为题，将这篇开创性文本的深远影响延伸到艺术领域，以反映过去几十年来技术进步的轨迹及其在整个社会范围内的回响。 >> 更多