randian | 燃点

Exhibitions of Chinese art outside China tend to confirm certain assumptions about the country's history, culture, politics, and people. At first, ‘XU ZHEN®: Eternity Vs Evolution’ at the National Gallery of Australia (NGA), Canberra, seems no exception to this rule, promising viewers a proven combination of two enduring preconceptions about China’s past and present. >> Read more

(中文) 展览“一园六季”从“六季花园”这个真实存在于加德满都的园林出发，围绕着“景观”“土地”“身体”及“治疗”等多条线索，整理出了一份联结着地方历史与当下现实的档案。 >> Read more

A conceptual artist who is tired of ‘conceptual art’? Xiao Yu may not be alone. As the cluster of meanings fades away in the monumentality and materiality of his works, Xiao Yu has embarked on an ambitious and yet perplexing task of ‘de-interpretation’ in contemporary art. >> Read more

Why walk in areas adjacent to the museum? Why couple the acts of walking with exhibition viewing? Even if the practice of the institution is intimately connected to the local environment, this doesn't necessarily mean that bundling the acts of walking, discussion and exhibition viewing together is a comprehensive response to this issue. >> Read more

Talkover/Handover 2.0 at 1a Space / “Canton Express: Art of the Pearl River Delta” at M+ Pavilion / Fereydoun Ave's “Shah Abbas and His Page Boy” at Rossi & Rossi / Wong Chung-Yu's “Centrifugal Force” at Hanart TZ gallery / Jacqueline Kiyomi Gordon's “Catchy” at Empty Gallery / R. Streitmatter-Tran's “Departures: Intersecting Vietnamese Modern Art with R. Streitmatter-Tran” at de Sarthe gallery >> Read more

Patty Chang, Feng Chen, Apichatpong Weerasethakul, Shanghai Seeds… >> Read more

French art group Agapanthe’s solo show “New Order”, curated by Lu Mingjun, is Wuhan International Art Center’s first attempt to introduce a residency program into their exhibition process. >> Read more

Yogesh Bavre at Things that can happen | Luke Ching at Gallery Exit | Trevor Yeung at Blindspot Gallery | Tsang Kin-Wah at M+ Pavilion | Apichatpong Weerasethakul at Para Site | Anish Kapoor at Gagosian | Sam Francis at Pearl Lam Galleries >> Read more

Like the impact of any massive object, the past months have seen shockwaves emanate from the opening of the National Gallery of Singapore (NGS), in the form of various reviews and opinion pieces. >> Read more

Huang Yongping’s large-scale works are again taking over Red Brick Art Museum for the touring exhibition“Bâton-Serpent II”. >> Read more