randian | 燃点

Simchowitz's controversial business model, obstinate personality, omnipresence on social media, and big mouth have consistently earned him a spot at the center of heated and polarized debates about his policy of aggressively stockpiling emerging artists' work so as to compete with galleries and dealers for their market share. >> Read more

Symbolic of freedom, romance, machismo, and recklessness, the automobile is an indispensable part of American life, beheld as an extension of the owner’s status and identity. This exhibition at Adam Lindemann’s VENUS is a fitting tribute to the city of LA and its deeply entrenched car culture. >> Read more

After two years of important and impressive shows, this exhibition at Almine Rech is telling us that now has become Julian Schnabel’s time. >> Read more

The beautiful venue and generous booths of well-curated international galleries, showing high quality work, has proven a winning formula. We look forward to the next edition! >> Read more

The “Los Angeles Project” is not a thematic exhibition, and rightly so. What impressions do these shows deliver, individually and collectively, of the creative inclinations with which LA-based artists are working? >> Read more

How do we form judgments about art? Obviously this is a difficult question on which to reach a consensus. If we are to judge whether a work of art is part of what is commonly regarded the canon of art history, we cannot ignore a very important group of participants who play an integral role in the constitution of art history – collectors. >> Read more

The first comprehensive presentation in China of the art of Los Angeles brings together seven artists whose work reflects the diversity and dynamism of the city’s cultural output. >> Read more

A portrait of HRH the Prince of Wales by Chinese artist Yan Pei-Ming is to be auctioned at Sotheby’s in London on 16th October as part of Frieze art week in the UK capital. >> Read more