randian | 燃点

London—Pace London is pleased to announce Yellow, the first solo exhibition of work by Wang Guangle in Europe. The exhibition will be on view on the ground floor gallery at 6 Burlington Gardens from 18 March to 16 April 2016. >> Read more

For the 1st project at yellow.ants.art.lab in 2014, Qingtai HU will present his art project entitled:“Qingtai, the most beautiful colour is yellow." >> Read more

Jumping and whooping, men swept by in costumes covered in fabric petals, their bodies thawed into fluttering colors. It took Andy a moment to realize that their swollen, red features and black, hollowed eyes belonged to wooden masks. >> Read more

Minimalist, conceptual, and deliberately provocative, Cao’s work reflects upon and exploits the physicality of her materials, from the conventional – marble, stretched linen and canvas – to unexpected, even transgressive, substances including the artist’s own hair, breastmilk and urine, and their various significations. >> Read more

This exhibition puts the artist on display, literally. From the inside out. You may never again have an opportunity to see so much of one individual laid bare before your eyes all at one time. >> Read more

(中文) 多位政府部门的领导到场助阵，今年的Art Taipei在爱的掌声中开幕。这是画廊协会理事长钟经新执导的第二届Art Taipei。今年的画廊名单不那么闪亮，但主题的渗入、特展的承办以及教育活动的开展，让Art Taipei有了很多看点。 >> Read more

Perhaps no one in the western art world today has more to say about a whole host of topics, from independent publishing, to queer history, to dealing with loss and hope, than AA Bronson. >> Read more

Pictures Generation artist, Matt Mullican, renowned for his work with signs and flags and pioneering hypnosis performances, exhibited in China for the first time during West Bund Art & Design last November, with a special presentation of his flag works. >> Read more

AIKE is delighted to present Fang Wei’s solo show “Morningtide”. >> Read more

As Groys notes in the opening passage of his essay, “On the New”, “We experience art history first of all as represented in our museums.” One might add, to be glib with Marx—and why not? —, secondly as farce. >> Read more