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2020.05.29 Fri, by

Lê Lan Anh (1993–2020)

Lê Lan Anh, also known as Lananh Le, one of the most vivid young artists in the Ho Chi Minh City art scene, died on April 19. She had been suffering from depression and it seems this was exacerbated by the social restrictions introduced to control the pandemic. >> Read more
2016.09.05 Mon, by

YUN HYONG-KEUN: BURNT UMBER AND ULTRAMARINE BLUE, 1990-1993

Simon Lee Gallery is proud to present a concise survey exhibition of paintings by Korean artist Yun Hyong-keun, one of the leading figures of Dansaekhwa, in his first posthumous solo presentation in the UK. >> Read more
2015.07.15 Wed, by

Talk l Olivier Krischer: Japan and Contemporary Chinese Art 1989–1993

Research on how contemporary Chinese art gained international exposure has typically focused on East-West interactions including contact with Chinese artists in New York or Paris, the role of Euro-American collectors…… >> Read more
2021.02.18 Thu, by

Lindy Lee at MCA Australia, Sydney
Replicas, postmodernism and ‘bad copies’

Grainy, velvety black photocopies of famous faces – portraits by Jan Van Eyck, Rembrandt, Ingres, Artemisia Gentileschi and others from the western art historical canon – were arranged in rows or grids. They gazed out from behind layers of acrylic paint, or wax that had been partially scraped back. >> Read more
Interviews, 2020.12.16 Wed, by

Ashley Bickerton
Seascapes At The End Of History

Born in Barbados in 1959, Ashley Bickerton had a peripatetic childhood across four continents, from Guyana to Ghana, on to the Balearic Islands and England, then finally Hawaii. His upbringing followed the career of his Anglo-American father, the eminent linguist Derek Bickerton, who researched creole languages and theorised on the formation of human language. >> Read more
Interviews, 2020.11.03 Tue, by

Werner Büttner and the Invention of BAD Painting

Werner Büttner, Wild Painter in Germany who changed the 1980s. >> Read more
Interviews, 2020.08.14 Fri, by

Elizabeth Peyton: Practice, UCCA, Beijing

UCCA Beijing presents “Elizabeth Peyton: Practice,” the first solo exhibition in China by the artist, a leading figure in contemporary painting. >> Read more
Interviews, 2020.04.23 Thu, by

Zhang Peili “The Annual Report of OCD”
Rén Space, Shanghai

This exhibition puts the artist on display, literally. From the inside out. You may never again have an opportunity to see so much of one individual laid bare before your eyes all at one time. >> Read more
Interviews, 2020.01.10 Fri, by

Ji Dachun
“Rain in rain, cloud in cloud, at no one’s fingertips”
Nagel Draxler, Berlin

To describe Ji Dachun as a post-internet artist, at first sight seems inadequate. His painting doesn’t appear as particularly technoid or media based. At the heart of his more recent work, however, is to create a possible syntax of his medium along the transmitted painterly forms, and so to speak “to write and continue to write” its CODE. >> Read more
Interviews, 2019.11.24 Sun, by

Sarah Lucas at Redbrick Beijing: Impromptu Feminism

Legendary British artist Sara Lucas has come to China. A part of the Young British Artists generation, Lucas still maintains the spontaneous drive of that era in her work today. >> Read more

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