randian | 燃点

UCCA Beijing presents “Elizabeth Peyton: Practice,” the first solo exhibition in China by the artist, a leading figure in contemporary painting. >> Read more

The Guangdong Times Museum is pleased to announce an open call for All the Way South: Residency in Exchange with The Factory Contemporary Arts Centre in 2020. >> Read more

Visual strategies are investigating physical- and mental states of fatigue, exhaustion, overtime, overwork and breakdowns, which are manifested in signs of fragility, transparency, hollowness, broken glass and allusions to anthropomorphic shapes. >> Read more

Approaching Abstraction is a group show that showcases a movement amongst Mexican artists towards abstract and more monochromatic works. It runs concurrent to Bosco Sodi’s exhibition, Heavens and the Earth. Sodi is the founder of Fundación Casa Wabi, a foundation that supports the development new opportunities for contemporary art in Mexico. He co-curates the exhibition alongside Casa Wabi’s […] >> Read more

Tina Keng Gallery is pleased to present the solo exhibition Abstraction Contextualized, exploring the oeuvre of pioneering master George Chann and his abstract expressionist works. >> Read more

(中文) 倘若今天还能探讨美学效果而不被人嗤之以鼻，我们应从何种角度去思考艺术家的创作或创造？康德很久以前就提示过我们，任何艺术都不如一场战争或一场自然灾害那样令人震撼。战争作为人类各种暴力的集中爆发，而自然灾害是超越人类尺度的狂暴力量，两者都会造成人类难以承受的肉体和精神创伤。 >> Read more

TRANSKULTURALE is the inaugural show of a new art space dedicated to contemporary art from China or art with a focus on China, founded by the Confucius Institute Nuremberg-Erlangen. >> Read more

The competition strive for difference where difference is not allowed to occur. Competitors wear neutral white outfits and abstract “landscape” masks. >> Read more

Over the past few years my research has focused on the development of sound art and experimental music practices in China since the early '90s. My approach to these practices has been strongly influenced by the idea that sound can be critical. >> Read more

Writing from Paris in 1991 under the pseudonym “No Beard Fei,” Fei Dawei penned a letter to fellow art critic and curator “Scraggly Beard Grandpa,” the pen name of Li Xianting in Beijing. Fei’s letter was a response to Li’s concern that “if art leaves its cultural motherland, it necessarily withers.” >> Read more