Color & Space – Ann Veronica Janssens and Katharina Grosse
Two recent Berlin shows provide competing though equally compelling responses to the production line of abstraction currently dominant, or at least voluble, in New York. >> Read more
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ANN VERONICA JANSSENS
12th March 2015, Hong Kong; Axel Vervoordt Gallery is delighted to present the work of Ann Veronica Janssens (1956, United Kingdom). The Hong Kong gallery will show five new works of sculptures, each with its own play of colour and light subtly offering a different phenomenological experience. >> Read more
Art Brussels 2017
The 35th edition of Art Brussels took place from 21 – 23 April and presented 145 galleries from 28 different countries. This is the second time the fair is located at Tour & Taxis, a vast former customs warehouse in the northern part of Brussels that was built at the turn of the 20th century when Belgium was rich off the back of its colonial exploitation of central Africa. >> Read more
Christine Tohmé appointed Curator of Sharjah Biennial 13, opening March 2017
Sharjah Art Foundation (SAF) announces the selection of Christine Tohmé as the Curator of Sharjah Biennial 13, opening March 2017. >> Read more
Esther Schipper
In May 2015 the gallery merged with Johnen Galerie. After a two-year transitional period, both galleries are now housed under Esther Schipper. Integrating archives and operations, the two teams merged as well and the gallery now represents Martin Boyce, David Claerbout, Ryan Gander, Francesco Gennari, Rodney Graham, Andrew Grassie, Martin Honert, Prabhavathi Meppayil, Roman Ondak, Anri Sala, Tino Sehgal, Wiebke Siem and Liu Ye. >> Read more
Art Unlimited: Art Basel 2014
Unlimited section provides galleries with an opportunity to showcase large-scale sculptures, video projections, installations, wall paintings, photographic series and performance art which cannot be displayed within the limitations of an art fair stand. >> Read more
Zhao Yao: Spirit Above All
“The attention should never be on the paintings themselves, which I deliberately repeat in different series to deconstruct their visual power, but the concept behind the forms. I am interested in the way we look at exhibitions and how our pre-existing knowledge, whether cultural, religious or political, affects our perception of art. >> Read more
