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2020.12.16 Wed, by

Article: ‘Xu Zhen: Eternity Vs. Evolution’ at the National Gallery of Australia, Canberra.

Exhibitions of Chinese art outside China tend to confirm certain assumptions about the country's history, culture, politics, and people. At first, ‘XU ZHEN®: Eternity Vs Evolution’ at the National Gallery of Australia (NGA), Canberra, seems no exception to this rule, promising viewers a proven combination of two enduring preconceptions about China’s past and present. >> Read more
2019.11.08 Fri, by

Art Taipei 2019 Review

Before I catch my connecting flight back to Rome, I briefly note down my impression of Art Taipei. “It’s both very young, with the  insecurities and optimism of an adolescent, and very old, with the relaxed attitude of someone who has seen a lot and is a pinch senile”. >> Read more
2019.04.02 Tue, by

Dhaka Art Summit – Programme Announcement – 7-15 February 2020

Samdani Art Foundation announces Seismic Movements: Dhaka Art Summit 2020, the fifth edition of the bi-annual research and exhibition platform focused on art and architecture connected to South Asia, to be held from 7 - 15 February 2020 in the Bangladesh Shilpakala Academy. >> Read more
2018.11.16 Fri, by

HKAGA’s 2018 ART SYMPOSIUM “LOOKING UP” EXAMINES HONG KONG’S ROLE IN THE INTERNATIONAL ART WORLD

The 2018 Art Symposium presented by the Hong Kong Art Gallery Association (HKAGA) and Asia Society Hong Kong Center will be held on Friday 16th to Saturday 17th November. The theme of the Symposium is “Looking Up: Remapping Hong Kong’s Art Scene in the Era of New Connectivity and Ruptures”. The Art Symposium has become one of the major events in the Hong Kong and international art calendars. >> Read more
2018.06.01 Fri, by

Marina Pinksy
‘Everything Was Forever, Until It Was No More’
RIBOCA1
Riga International Biennial of Contemporary Art.

The title, Everything Was Forever, Until it Was No More, is borrowed from Alexei Yurchak’s book of the same name. Yurchak discusses the collapse of the Soviet Union and one particular characteristic that defined it: the sense that although the Soviet system was felt to be permanent and immutable, its demise was at the same time perceived as completely natural. >> Read more
2017.11.23 Thu, by

LI MING Wins The HUGO BOSS ASIA ART Award 2017

LI MING Wins The HUGO BOSS ASIA ART Award 2017 >> Read more
2017.10.26 Thu, by

HUGO BOSS ASIA ART 2017 opens at Rockbund Art Museum in Shanghai, unveiling a rich diversity of artworks by the four finalist artists

HUGO BOSS ASIA ART: Award for Emerging Asian Artists opened early today at Rockbund Art Museum (RAM) in Shanghai, presenting artworks by the four finalist artists: Li Ming (China), Tao Hui (China), Yu Ji (China), Robert Zhao Renhui (Singapore). >> Read more
2017.10.19 Thu, by

HUGO BOSS ASIA ART 2017 opens at Rockbund Art Museum in Shanghai, unveiling a rich diversity of artworks by the four finalist artists

HUGO BOSS ASIA ART: Award for Emerging Asian Artists opened early today at Rockbund Art Museum (RAM) in Shanghai, presenting artworks by the four finalist artists: Li Ming (China), Tao Hui (China), Yu Ji (China), Robert Zhao Renhui (Singapore). >> Read more
2017.09.28 Thu, by

ASIA NOW – Paris Asian Art Fair 2017

This year, ASIA NOW, Europe's first boutique art fair devoted to contemporary Asian art, continues its exploration of emerging scenes and more established artists from October 18 to 22, 2017. >> Read more
2017.08.23 Wed, by

Originality, Diversity and Independence: Call for Submissions to the Fourth International Awards for Art Criticism (IAAC 4)

The International Awards for Art Criticism Ltd. (IAAC) launches the fourth edition of their Awards this month (IAAC 4) and will announce their new competition rules, awards system and members of its international jury at a press conference to be held at the Shanghai Minsheng Art Museum on 2 June 2017. >> Read more

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