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2018.03.13 Tue, by

ZHENG CHONGBIN
‘Walking Penumbra’
INK studio, Beijing

INK studio Beijing is proud to announce a major solo exhibition entitled Walking Penumbra for California- and Shanghai-based artist Zheng Chongbin. >> Read more
2017.12.13 Wed, by

IGNACIO URIARTE
How to Define Space
White Space Beijing

We are delighted to announce the opening of Ignacio Uriarte’s second solo exhibition at WHITE SPACE BEIJING on December 16th, 2017. This exhibition will present the most recent works of the artist, including drawings, paper installations and video work. In this exhitbition, Uriarte uses an instructional title and basic Euclidean geometric elements to convey his […] >> Read more
2016.11.30 Wed, by

Between Illusion and the Real

We are compelled to ask what it is that makes a once rich history constantly look back, restore and purify itself, so much that we can only observe and reflect on a single point on its temporal axis? >> Read more
2015.10.29 Thu, by

Six finalists Selected for the Hugo Boss Prize 2016

(NEW YORK, NY—October 22, 2015)—Six finalists have been selected for the Hugo Boss Prize 2016, the biennial award established in 1996 to recognize artists whose work is among the most innovative and influential of our time. >> Read more
2015.04.29 Wed, by

Works on Paper III

For the MPA-B Month of Performance Art Berlin 2015, MOMENTUM reprises its month-long program of Performance Sundays entitled WORKS ON PAPER. WORKS ON PAPER III inverts classic assumptions of paper as a medium, inviting performance artists to approach paper not as a static blank canvas, but as a dynamic source of conceptual and performative possibility. >> Read more
访谈, 2014.04.11 Fri, by

Recalibrating Space:
Interview with Antony Gormley

Randian speaks with Gormley about his show at White Cube Hong Kong, human microbes, Euclid, monolithic architecture, furniture and awkwardness. >> Read more
访谈, 2013.06.13 Thu, by

WANG QIANG | HOLZWEGE

In Wang Qiang’s recent paintings, the image materials he uses are not merely copies of coloring representations, but a parallel to his thoughts on paintings. >> Read more