randian | 燃点

Marlborough Galleries, founded in London in 1946, was the first modern International gallery, opening in Rome in 1962 and in New York in 1963, followed by other cities around the world, becoming the prototype for all subsequent International galleries. Ran Dian spoke with Gilbert Lloyd, son of founder Frank Lloyd and Managing Director of Marlborough from 1972 until 1991. >> Read more

Tomorrow, Dominique Lévy, Brett Gorvy, Lock Kresler and Gilbert & George invite you to celebrate the opening of Gilbert & George: The General Jungle or Carrying on Sculpting. >> Read more

ARNDT is pleased to present the first exhibition of Gilbert & George in Singapore. Gilbert & George created 26 new artworks, the UTOPIAN PICTURES, for their first solo exhibition in Singapore and Southeast-Asia. >> Read more

The last two decades of precipitous change have provided much grist for recent exhibitions, artist talks, and essays. The pre-eminence of digital technologies in society, the unpredictable advances in biotechnology and Artificial Intelligence, and irreversible environmental degradation encapsulated under the banner of the Anthropocene all speak to a certain disquiet towards unproblematic notions of progress. >> Read more

Titled As We May Think, Feedforward, extending this seminal text’s far-reaching ramifications into the artistic domain as a way to reflect on the trajectories of technological advances and their reverberations throughout the social sphere over the past decades, the 6th edition of Guangzhou Triennial seeks to address the multiple implications engendered by such a technologically constructed time-space - in the real and through the virtual - by examining creative endeavors both from geographical purviews and from cosmic prospects in responding to the challenges and opportunities at stake and to think, once again, through a new alliance of visions by humans and nonhumans alike, machines and flesh with equal footing, organic and inorganic hand in hand, an alternative outlook for a new possibility of ecology whereby a retooled humanism may thrive in a Parliament of Things (to borrow a term from Bruno Latour) in symbiosis and reciprocity. >> Read more

Sitting at a small table in the Lehmann Maupin booth at Art Basel Hong Kong, Chris Moore spoke with Rachel Lehmann about how she became involved with art, galleries and Hong Kong. >> Read more

“Always the same thing. How boring! Pedants definitely!” said Oblomov, yawning. Basel is still the best art fair in the world. You knew that already. It runs as smoothly as Swiss Rail. No air-conditioning problems here! Yet there is a growing sense Art Basel is getting predictable. At first, I thought it was just me, […] >> Read more

Simon Lee Gallery New York is pleased to present Towards Infinity: 1965-1980, >> Read more

In cultural representations of artificial intelligence and automated trading, the work of Jackson Pollock has emerged as an unlikely inspiration for the technological innovations that have drastically transformed the economy and, by extension, the world. This lecture will investigate further the connection between one of the most abstract and complex domains of finance, automated or “black box” trading, and the abstract expressionism (ab-ex) of what is sometimes characterized as Pollock’s “automatic art”. >> Read more

In celebration of the fiftieth anniversary of the movement’s inception, Ileana Sonnabend and Arte Povera will open tomorrow at our New York location. >> Read more