Li Ming is a sophisticated type of contemporary flâneur. He takes possession of the space that is in turn defined by a human presence (i.e., by the bodily-physical presence of an aware human being), roaming in it and throughout it. He enjoys chasing spaces, but also words and concepts. >> Read more
In the third installment of UCCA’s New Directions series, Hangzhou-based performance artist Li Ming uses light, sound, and video to turn the Long Gallery into an intimate and interactive environment. Injected into the artwork’s looping narrative, >> Read more
Liang-Pin Tsao: Becoming/Taiwanese pivots around Martyrs’ Shrines across the island. Capturing the Martyrs' Shrines through photography, the artist then transfers the imagery along with archival images of the Shinto shrines onto light boxes, juxtaposed with historical documents, in an attempt to foreground the past relationship between Taiwan and Japan. >> Read more