randian | 燃点

In the first days of summer, Tianzhuo Chen came to Berlin to open up his hybrid universe, Zhuangzi's dream of the butterfly. >> Read more

From 26th June to 26th August 2018, Rockbund Art Museum is very proud to present Systems, >> Read more

This exhibition highlights different forms of perception in the oeuvre of four artists, >> Read more

A critically acclaimed literary magazine, Tiannan, has stopped publication after nearly four years due to financial reasons...
 
 
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This collaboration between the influential scholar, curator and artist Zheng Shengtian and the highly regarded calligrapher Wang Donglin is the first time that they have worked together although they have formed close ties through their long-standing affiliation with the China Academy of Art in Hangzhou. >> Read more

Not only do Lin Tianmiao's works reveal a delicate sensibility, her choice of materials and colors have over time also become more luxurious with her use of silk damask, gold and silver thread, and cashmere. Though many of her compositions are inspired by ancient Chinese paintings, her images brim with tension and conflict >> Read more

Chambers Fine Art is pleased to announce the opening of Guan Shan Gathering: Works by Zheng Shengtian and Wang Dongling. >> Read more

Supervised by the Ministry of Culture, the National Taiwan Museum of Fine Arts (NTMoFA) presents the biennial celebration of Asian contemporary art – the 8th Asian Art Biennial, which opens on October 30. >> Read more

by Alice Gee Rui Matsunaga – The Myth of Survival Daiwa Anglo-Japanese Foundation (13/14 Cornwall Terrace, Regent’s Park, London) September 10–November 26, 2021 Rui Matsunaga, a Japanese artist based in Yamaguchi, is obsessed with the end of the world. Over five years she has examined the ‘apocalypse’ through various perspectives: the works of Dürer, animism, tribal and religious myths, and […] >> Read more

Grainy, velvety black photocopies of famous faces – portraits by Jan Van Eyck, Rembrandt, Ingres, Artemisia Gentileschi and others from the western art historical canon – were arranged in rows or grids. They gazed out from behind layers of acrylic paint, or wax that had been partially scraped back. >> Read more