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2019.01.08 Tue, by

Channing Hansen
Pattern Recognition
Simon Lee Gallery, Hong Kong

Simon Lee Gallery, Hong Kong, is pleased to announce the first solo exhibition in Asia by Los Angeles-based artist Channing Hansen. In Pattern Recognition Hansen presents a new series of his signature hand-knitted textile-based works, which bring together craft and computation to explore theories related to the intersection of art, science and technology. >> Read more
2018.12.13 Thu, by

Channing Hansen
Pattern Recognition
Simon Lee Gallery, Hong Kong

Simon Lee Gallery, Hong Kong, is pleased to announce the first solo exhibition in Asia by Los Angeles-based artist Channing Hansen. In Pattern Recognition Hansen presents a new series of his signature hand-knitted textile-based works, which bring together craft and computation to explore theories related to the intersection of art, science and technology. >> Read more
2019.03.08 Fri, by

Forget the Future: The 6th Guangzhou Triennial

The last two decades of precipitous change have provided much grist for recent exhibitions, artist talks, and essays. The pre-eminence of digital technologies in society, the unpredictable advances in biotechnology and Artificial Intelligence, and irreversible environmental degradation encapsulated under the banner of the Anthropocene all speak to a certain disquiet towards unproblematic notions of progress. >> Read more
Think, 2016.12.08 Thu, by

Wet Ontology: Thoughts on Ocean Space

The ocean space borrows its designation as a non-space from the fact that it is by law a no-man’s-land: the sea belongs to everyone and to no one. >> Read more
艺术家档案, 2016.05.03 Tue, by

The (New) Praise of Folly: Li Ming’s Work

Li Ming is a sophisticated type of contemporary flâneur. He takes possession of the space that is in turn defined by a human presence (i.e., by the bodily-physical presence of an aware human being), roaming in it and throughout it. He enjoys chasing spaces, but also words and concepts. >> Read more