randian | 燃点

It is a curious historical fact that such a small and distant country as Switzerland has had such a profound impact on the development of art in China, especially at this moment of China’s greatest economic and cultural transformation. >> Read more

It has been just over a year since we moved to Berlin. Yuan Yuan has finally made his first solo show (Edouard Malingue Gallery in Hong Kong) after moving his studio here, and I have been busy preparing our dual exhibition project, which was intended for this year’s Frieze London, now delayed of course. >> Read more

Berlin Art Week, combining major museum openings, art berlin contemporary (an art fair), and a panoply of individual exhibitions, talks, happenings, lunches, parties and schmoozing, could be a wonderful thing. >> Read more

Thus, Why Only Art Can Saves Us, is a philosophical, political, and existential reflection on the appeal and aesthetic qualities of art in the 21st century. >> Read more

Inga Svala Thorsdottir and Wu Shanzhuan's manifesto and series of works titled Thing's Right(s), a revision of the 1948. >> Read more

For most, Vietnam is an idea formed, since the beginning of the twentieth century, by a foreigner’s idea of the foreign, rather more than by its residents. >> Read more

“Surplus value” is value that people recognize beyond existing value. It is overlooked value. It is not about exploitation, but about discovery and creation. It is the “usefulness of uselessness.” Song Dong >> Read more

(中文) 2015 年 7 月 31 日至 9 月 2 日 星期一至星期六,上午 10 时至下午 7 时 藝術門,香港中环毕打街 12 号毕打行 6 楼 香港-藝術門画廊将呈献驻於阿姆斯特丹和北京的艺术家——倪海峰的个展。 >> Read more

Row after row of sleek black telephones on white plinths, each one indistinguishable from the next; we are reminded at first of the cold, impersonal, mass-produced objects of a factory, devoid of human traces. >> Read more

One event caught the eye among the sideshows of the Venice Biennale: “The Writings of Today are a Promise of Tomorrow” launched with a curious mélange of art, food and design. >> Read more