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From June 20th to September 7th, 2021, Wind H Art Center will present the exhibition “To Be the Better One —The Methodology of the New Generation New Work, New Identity, New Life, New Direction”. This exhibition will shed light on the novel artistic phenomena presented by the most representative new generation of artists in the […] >> Read more

More than 140 works of diversified cultural backgrounds, made by over 80 artists from 23 countries including Greece, France, South Korea, Cameroon, USA, Japan, Thailand, Venezuela, Singapore, Iran, Italy, India, UK, Vietnam, and China, will be displayed during the exhibition. >> Read more

一楼展示的米利亚姆·卡恩 (Miriam Cahn) 作品犹如神典的开篇，创作者在雾中迷失、低吟高唱，在她以感官展开的画卷里，山体长着血脉，表现在痛苦中挣扎的情感；房屋是毕露的线条，释放出包裹或缠绕的明亮；动物们目光空洞、身体脆弱，多半没有耳朵。同样，她以缤纷的色块和线条声张她简明而灿烂的直觉领域，然而她情感的世界却深沉而阴郁，与身体的感官联系深刻，不能轻易的揣度。 >> Read more

(中文) 上海其他画廊十年拖欠艺术家近 44,000 英镑及作品 16 件 >> Read more

The Guangdong Times Museum is pleased to announce an open call for All the Way South: Residency in Exchange with The Factory Contemporary Arts Centre in 2020. >> Read more

SINGAPORE ART MUSEUM ANNOUNCES SINGAPORE BIENNALE 2019 ARTIST AND ARTWORK HIGHLIGHTS >> Read more

The Rockbund Art Museum is very pleased to present the first institutional solo exhibition in China by the renowned German artist Tobias Rehberger. >> Read more

The Taipei Fine Arts Museum has officially announced that the 12th edition of the Taipei Biennial, slated to take place in late 2020, will be curated by the renowned French sociologist and philosopher Bruno Latour and the independent curator and artist Martin Guinard-Terrin. >> Read more

Lemme walk across the room, the first New York City solo exhibition by Eric N. Mack, transforms the Brooklyn Museum's Great Hall with a site-responsive installation of new and existing textile-based works hung, mounted, and draped in conversation with the classical architecture of the space. Mack's work explodes the boundaries of painting, sculpture, and fashion, dynamically reflecting and framing the rich visual experiences of the everyday. >> Read more

Titled As We May Think, Feedforward, extending this seminal text’s far-reaching ramifications into the artistic domain as a way to reflect on the trajectories of technological advances and their reverberations throughout the social sphere over the past decades, the 6th edition of Guangzhou Triennial seeks to address the multiple implications engendered by such a technologically constructed time-space - in the real and through the virtual - by examining creative endeavors both from geographical purviews and from cosmic prospects in responding to the challenges and opportunities at stake and to think, once again, through a new alliance of visions by humans and nonhumans alike, machines and flesh with equal footing, organic and inorganic hand in hand, an alternative outlook for a new possibility of ecology whereby a retooled humanism may thrive in a Parliament of Things (to borrow a term from Bruno Latour) in symbiosis and reciprocity. >> Read more