randian | 燃点

Were it not for the list of artists and the brief introduction, “Pan Yuliang: A Journey to Silence” probably would have misled most into thinking it was a modern art show in a contemporary art institution. >> Read more

The curators’ focus on Big Tail Elephant’s role in the art world in Guangdong, and indeed the rest of China, has everything to do with the particular regional specificity of the Pearl River Delta. >> Read more

This fall, Shanghai’s profusion of events made it almost seem like the central hub of contemporary art in China. Here is an overview of what happened—with more coverage to come later. 
 
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Coming on to sixteen years since its inception, the CCAA (Chinese Contemporary Art Award) has decided to open up to public nominations on the basis of its original system of nominators. >> Read more

The moment we embarked on the journey of inves­ti­gating Pan Yuliang and her life, we found the pre­scribed mis­sion of speaking for her impos­sible. >> Read more

“Audiences”International Symposium and Conversations >> Read more

Taking Envision 2116 as the theme of its first two chapters, >> Read more

The Man Who Never Threw Anything Away borrows its title from an installation of the same name in Ilya Kabakov’s Ten Characters (1988). >> Read more

AAA Booth P9, Institutions and Bookstores Area on Level 1 Concourse, Art Basel, Hong Kong Convention and Exhibition Centre >> Read more

Speaker: Marysia Lewandowska (Artist-in-Residence at AAA and Professor at CUHK) >> Read more