randian | 燃点

The opening exhibition of displays none of the experimentation found in the shows at its Shenzhen headquarters, nor any traces of the rash and rushed attempts to “manifest regional culture” evident in the city’s numerous “modern-traditional” architectural hybrids... >> Read more

A more fundamental question is that any “decline” of painting in China is any more than a moment’s fancy, when in actual fact, painting is actually gaining strength and flourishing in the market. Moreover, art in a frame is still the format which most easily resonates with the wider public audience for art in China... >> Read more

Randian interviewed Karen Smith and asked for her thoughts on the prospect of contemporary art in Xi’an as well as the operations of the OCAT Xi’an branch.
 
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