randian | 燃点

The Sifang Art Museum and Victor Wang are proud to present the first solo museum exhibition in China by UK‐based artist Haroon Mirza. >> Read more

The Vancouver Art Gallery is pleased to present Pacific Crossings: Hong Kong Artists in Vancouver, an exhibition showcasing the work of David Lam, Paul Chui, Carrie Koo and Josh Hon, created before and after their relocation to Vancouver throughout the 1960-80s. >> Read more

The exhibition "Sip! Indonesian Art Today" and the accompanying publication results from ARNDT's recent focus on Southeast Asian art and the new Asian and Pacific art markets. >> Read more

On the eve of APT7, the pioneering visual art event of the Asia-Pacific, Randian’s Chris Moore spoke with Suhanya Raffel, Director of the APT and Acting Director of the Queensland Art Gallery (QAG) and Gallery of Modern Art (GOMA).... >> Read more

Next sale – Modern and Contemporary Art from Asia, 15 March 2015 >> Read more

Targeting the ever-expanding scale and scope of collectors in Asia, these “art supermarkets” are no doubt a logical strategic development.
 
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Born in Barbados in 1959, Ashley Bickerton had a peripatetic childhood across four continents, from Guyana to Ghana, on to the Balearic Islands and England, then finally Hawaii. His upbringing followed the career of his Anglo-American father, the eminent linguist Derek Bickerton, who researched creole languages and theorised on the formation of human language. >> Read more

Exhibitions of Chinese art outside China tend to confirm certain assumptions about the country's history, culture, politics, and people. At first, ‘XU ZHEN®: Eternity Vs Evolution’ at the National Gallery of Australia (NGA), Canberra, seems no exception to this rule, promising viewers a proven combination of two enduring preconceptions about China’s past and present. >> Read more

Travelling from the corners of East Java to a 19th century church in Islington, Edouard Malingue Gallery (Hong Kong, Shanghai) is thrilled to present ‘Madakaripura’ the first solo presentation in London of the Indonesian collective Tromarama (est. 2006, Bandung). Marking the last exhibition in the gallery’s temporary project space, Tromarama transport us to a historical waterfall, which is believed to be the last place where Gajah Mada (c. 1290 - c. 1364) - a central figure in Indonesian culture who used to be a Mahapatih or Prime Minister in the Majapahit empire - meditated before he reached Moksa, a term for various forms of emancipation and enlightenment >> Read more

In Not Vital’s art, everything is out of place, yet precisely where it belongs. >> Read more